PowerTown Arrives: Magnum T.A. & Kerry Von Erich

The young lions of the 1980’s are back. Two of the most promising names in the wrestling industry, both cut tragically short in their paths due to entirely different reasons. Still, both carry on with their legacies and the lasting influence of their work. Magnum T.A. and Kerry Von Erich, two grapplers tremendously underrepresented in action figure form, are back in our collections thanks to PowerTown. Have either been captured in such form and detail before? Let’s take a look.

As with all six of the PowerTown Ultra Series 1 figures, the packaging is impressive. The magnetic flap, the detailed bios and amazing graphics. You see exactly what you get, yet, it doesn’t feel as if things are floating. There isn’t any wasted space which is a problem with a lot of action figure packaging these days. With the recent crackdown in “wasting resources” for toy packaging, you would think that other companies would adopt a striking yet compact design like this. Due to a manufacturing/shipping snafu of unknown origin, Von Erich shipped a tad later than the other five figures in the set. He was worth the wait.

Both figures include removable jackets, alternate hands, removable knee pads and, most importantly, championship belts. For the first time ever we have figure-sized replicas of both the NWA United States and WCCW Heavyweight championship belts. For longtime collectors and figure photographers these, like the other titles in the series, are game changers. To have officially released accessories of these trophies is unthinkable. Both are perfectly replicated and, while the early renders had collectors excited, came out even better than the previews had promised. Due to the length of the straps on each you may have to work a bit to use them with figures from other companies (unlike the AWA Championship included with Verne Gagne), but it can be done.

This is only Magnum’s second released figure. I gushed over the Mattel release right in this very blog. It was mind-blowing to finally have a figure of the ‘80s legend and that’s still a worthwhile item to own. Times change as does figure manufacturing. The PowerTown version does eclipse it. The stance and body type are just that much more realistic. The belt puts it over the top and you can practically hear Magnum talking to David Crockett and Tony Schiavone on a TBS Saturday morning. The red tights also make the figure stand out. The Mattel version was originally designed to be in red but was switched to black.

The jacket, while rubber goods and as with most accessories of the type can be difficult to get on and off, really sells the Magnum image. The Mattel version included a vest and you could honestly view both as different eras of Terry Allen. The prototype of this figure was slated and shown to have wrist tape. It was omitted from the final product, likely by accident. It doesn’t bother me and can easily be remedied by applying some small strips of tape. That fix also enables you to remove it if need be. The boots, as with all PowerTown figures, are removable for easy application of the knee pads.

While Kerry Von Erich has had a few more figures than Magnum, ultimately this is only his fourth. Kerry’s face was as chiseled as his body which likely makes getting a good facial likeness relatively easy. The past three figures (Hasbro and Mattel, respectively) have all resembled Kerry in his later years. Our PowerTown offering is definitely a younger, softer likeness and still hits all the marks. Considering that most if not all of the family members are said to be signed for the line, there’s no better place to start than with “The Modern Day Warrior.” Personally, I’d take every Von Erich including Lance. No, I highly doubt he’s included.

It wouldn’t be a Von Erich figure without an “Iron Claw” hand which is removable. The body sculpt is well done and the colors are new for any figure of Kerry. We now have him in a multitude of colors, different with each figure. Kudos to PowerTown for paying attention and giving us previously unreleased looks for those wrestlers who’ve already had past figures. That being said, I think everyone would want these even if the looks remained the same. They simply feel different in your hand or on display than most other figures. If PowerTown wanted to start a wrestling figure revolution, I do believe they’ve done it and have silenced the naysayers at the same time.

Another amazing couple of figures from the new guys on the block. We’ve only got one more to go in our ongoing series of reviews of the first batch from PowerTown, but I can’t wait until the next legends arrive. For those of you wanting to know how you can get your hands on Series 1, there is a bit of news. Via their Facebook page, PowerTown states that some additional figures MAY be made available once pre-orders have been fulfilled. If you skipped the initial pre-order it would be wise to keep an eye on their official social media accounts and strike while the iron is hot. That being said, I do believe that all six of the men represented in this first series would warrant alternate releases in the future. All six are headliners and have different looks that could be explored. 

Yet two more examples that prove that “Where Wrestling Lives On” isn’t just a slogan…

From The Musty Yellowed Pages—NWA Wrestling Magazine Vol. 1 No. 1

After nearly fifteen years of maintaining this blog, at times I forget everything that I have, or haven’t, covered. I felt for certain that we’d taken a voyage through the debut, and only, issue of the NWA Wrestling Magazine. Aside from some mentions here and there, as well as plenty on its sister publications, I don’t think that it’s been done. Wait no longer, NWA fans, the time to revisit an era when the territories were king, Terry Funk was champion and Jesse Ventura was “The Great” instead of “The Body” has finally arrived.

Yes, this publication had just the one issue. Could you think of a better cover for just one issue of the NWA Wrestling publication? I can’t. If it reminds you of the WWWF Wrestling Action and Mid-Atlantic Wrestling magazines it probably should. It was done by the same artist, Cal Byers, and wrestling renaissance man Les Thatcher was at the helm of all of them. Wrestling, broadcasting, training, promoting and publishing. He did it all and has the stories to tell about it. I’ve had input from him while covering the aforementioned publications here on the blog and I still remember how surprised he was to see a copy of this one when he signed it awhile back.

More familiar names come about when looking at the list of contributors from then-NWA President Eddie Graham to Gordon Solie, Freddie Miller, Paul Boesch, Larry Matysik, Jeff Walton and Gene Gordon. The magazine covered all of the NWA wrestling hotbeds of the era and seemed to want to devote adequate press to all of the big territories. Even NWA members in other countries were not to be excluded. After all, this was the only publication to be “sanctioned” by the National Wrestling Alliance!

Though he was still relatively new to the game that he would eventually become the dirtiest player of, it’s telling that Ric Flair is the topic of one of the first features of the issue. The Crockett’s knew what they had and that’s why he was proudly displayed as the Mid-Atlantic Heavyweight Champion. You’ll note the famed Mid-Atlantic Championship Wrestling logo adorns the article here. As noted with all of the Thatcher publications, the art direction was second-to-none. There are logos for most, if not all, of the NWA territories featured within. In the late ‘70s this isn’t something that I would expect in a wrestling magazine at all, but here it is.

More familiar names pop up with looks at Georgia Championship Wrestling and Gulas Wrestling Enterprises Inc, the latter of which being the fabled Memphis wrestling territory. We have great color photos of Dick Slater, Mr. Wrestling II and Jerry “The King” Lawler. We also get a printing of one of my favorite Memphis photos displaying Jackie Fargo, Jerry Jarrett, Tojo Yamamoto and…George Gulas. Ok, so three out of four isn’t bad as far as levels of greatness. Still, I’ve always liked that photo ever since I saw it grace the cover of an “NWA East” edition of “The Wrestling News,” probably around the same time.

A very different Terry Funk than the version many are familiar with today graces the centerfold of the first and only NWA issue. This isn’t the “middle aged and crazy” Funker that’s so beloved today, but rather a tad more serious NWA World Champion who was continuing on the family’s championship legacy. I often talk about how much I admire wrestlers who are able to successfully reinvent themselves during the course of their careers. Terry Funk may own everyone else when it comes to that. I could picture the later Funker taking a flaming branding iron to the attire he’s wearing here. From champion to legend, that’s for sure.

One of my favorite pages in the issue has always been the feature on Chavo Guerrero. Talking about his famous exploits in the rings of California, it gives you an idea that Chavo may be one of the more underrated stars of the decade. I feel that his popularity was of the type that you really had to be around for to experience. I also think that, through no fault of his own, the popularity of brother Eddy may have overshadowed Chavo’s legacy. Still, ask most any wrestler who was around at that point and they’ll tell you what a huge star Chavo was in the business. A family photo here really tickles me as we get to see young Chavito, who we all got to know better many years later. Pepe was not invited to participate in the photo.

“The Great Ventura?” What? Yes, before he was “The Body,” Jesse was just “The Great.” I think we can all agree that “The Body” fit and rolled off the tongue much better. He has a short blurb in the magazine right alongside the likes of Dusty Rhodes and Jimmy Snuka. It’s amazing to think how many bonafide all-time greats came from wrestling in the ‘70s. I truly believe that the territorial system helped in that regard and would’ve been beneficial to many wrestlers in the past twenty years who seemed destined for greatness. In the old system you could try different things, work plenty of different opponents and move along when things got stale. Sadly, many of the newer generation stars had virtually “one and done” shots thus robbing us of quite a few talents who could’ve made it to superstardom.

Speaking of “one and done,” those are just some highlights of this, the only issue of NWA Wrestling Magazine. There are more photos and articles to peruse and you can see several of them on our Instagram account right here! Despite their age and rarity, copies of this magazine do show up available but almost always at a price. You never know, some shrewd searching may yield one for your collection. It’s certainly worthy as a collection centerpiece for any fan of the NWA, Terry Funk or just the last great wild west era of wrestling – the ‘70s!

PowerTown Arrives: Lou Thesz & Verne Gagne

For as many great legends figures as we’ve received over the years, the true early television era of wrestling has largely been ignored. While no one ever expected figures of a Hans Schmidt or a Wilbur Snyder (although…), fans have clamored for representations of the champions and megastars of the day. In PowerTown’s Ultra Series 1 we’re finally treated to certainly two of the biggest names of that era and the championships that defined them. Put away the signs, cellphones and t-shirts. Put on your Sunday suit, slick back your hair and, as much as I detest it, light up your unfiltered ciggies: we’re going back in time!

For some collectors the entry of Lou Thesz and Verne Gagne into the first PowerTown set was disappointing. They aren’t as recent as the other four men in the lineup. You cannot count myself, nor you, among those people. Not only did we want them as figures but I think that they actually may be the sleeper hits of the set. Didn’t think that action figures of wrestling stars of seventy years ago could be exciting? Think again! My one and only qualm was that we weren’t getting the older version of Verne that many of us grew up knowing. I’ve long wanted a figure of the Minnesota legend from that era and I still feel that he is a glaring omission from the Remco AWA line. I have a feeling that PowerTown will take care of all of that in the future, but that’s just my own speculation. In the meantime I’ve truly come to love the figure that we did get.

As shown in our Stan Hansen review, the packaging is very nice and unique in design. I don’t know that I’ll ever find the strength to purge these boxes even considering how big they are. Even without the figures inside they truly feel like part of the product rather than just a disposable means of delivering the figure to collectors. It should be noted that the NWA Championship included with Thesz is labeled as such but the AWA Championship with Gagne is just called the “Police Gazette” (named after the Police Gazette presenting the belt to Gagne as Wrestler of the Year) belt. Ultimately it doesn’t matter when it pertains to the figures and the accessories.

Each figure comes with their respective championship belt, towel and a changeable fist for their right hand. Thesz has a robe while Gagne has a ring jacket proudly proclaiming “VERNE” on the back. These pre-match gear items are both soft plastic as we’ve seen in virtually every wrestling figure line of the past few years. They can be a bit difficult to remove and replace, but they do look spectacular when on. The colors are perfectly muted for the era and really help to make these figures look as if they stepped right out of a black and white photo.

Speaking of photos, the longtime fan can easily pinpoint the promotional photos that were used to design each of these figures. That’s because, again, they look just like the photos. Some companies would have tried to get away with generic faces here, but PowerTown did not go that route. They brought the respect that these guys deserved. Each has an expression that is easily recognized with these golden age champions. The lower legs/boots are removable just like on the other PowerTown figures even though there aren’t kneepads with these two. Kneepads? Who in the ‘40s and ‘50s needed kneepads? As mentioned above the hands are removable, too, which greatly helps when utilizing the robe and jacket.

One thing that was big in the era was the “wrestling stance.” That look where a wrestler looks as if he’s about to go for a takedown. The poseability here is perfect just for that. Want these two to go an hour Broadway? You can do it. LJN may have said “twist ‘em! turn ‘em!” four decades ago, but that’s what these two grappling greats will be doing. Only now it looks insanely real! No flippity floppity thigh slapping good times here, this is real wrestling. No sociopolitical agendas being promoted with keyboard warrior fans complaining about missed spots. Real men who were unafraid to act as real, respectable people.

With Stan Hansen I didn’t dive too much into the belt, especially since we’ll be looking at that belt again, but I will go that route here. If you had asked me to make a list of wrestling world championships that we would have in figure form one day I never would’ve guessed these. This AWA Championship was indeed the one that Gagne wore back then, but you may remember it from its revival in the late ‘80s with Jerry Lawler and Larry Zbyszko. Some of the PowerTown championships have very large straps but this one is absolutely perfect compatibility wise. I’ve already tried it on a figure of Lawler and let’s just say that The King is on top again! This version of the NWA Championship is best remembered with Thesz, but in a cool move he actually presented it to Adrian Adonis upon the latter winning the Southwest Championship Wrestling tournament. Lou took it back, of course, but that’s one of my first recollections of seeing it on tape.

As I believe will be the standard for PowerTown, I feel that two huge gaps in the wrestling figure world have finally been filled. If you already have these or have them coming to you, congratulations! I knew that these would be a worthwhile pre-order and it’s nice to see my prediction come true. If you didn’t partake in the pre-order I sadly don’t have any further info for you. What I can tell you is not to sleep on Series 2 when it’s finally announced. There has been a long standing rumor that yet a third legend from this era will be coming shortly from PowerTown. It would fill another gap, to be sure.

Get your Georgie pins ready…

Wrestling MarketWatch: The Road Warriors

Longtime readers know that when it comes down to tag teams with face paint, I'm pretty biased. In fact with tag teams in general I'm beyond biased. I am a Demolition guy. Aside from paint and the era in which they came, I honestly never saw much similarities between Demolition and The Road Warriors. Are Sting and The Ultimate Warrior the same just because they both wore face paint in the '80s and '90s? Not at all. That being said, as much of a Demolition fan as I am, I have always been thoroughly entertained by the LOD, as well, and greatly respect what they did for the business.

As of press time we have just recently mourned the passing of Road Warrior Animal. It's time to look back on a small sampling of the merchandise created in the images of Animal, Hawk, and manager Paul Ellering. While a few items may have seen a slight inflation over their regular market value, I think that you'll notice relative stability seeing as that merchandise of "the boys" is usually in high demand regardless.

*For many fans their love affair with the team began with their first action figures. They, of course, came courtesy of Remco and the American Wrestling Association in 1985. Originally Hawk and Animal came sold in a two-pack. It was later expanded to a three-pack by including Paul Ellering. The trio has great accessories and are still the best figure representations of the early days of the Legion of Doom. Although Mattel has promised us that this will change next year, this is still the only released figure of Ellering. The figure was later re-released singly as part of the infamous "Mat Mania" line. The threesome is averaging $100 loose and complete, which isn't too far out of the ordinary for figures that many consider to be highlights of the series.

*Sticking with early LOD we've got what is probably their best remembered magazine cover appearance. The Pro Wrestling Illustrated issue from March 1984 was not only the "year end" issue for 1983, but also a true iconic moment for Hawk and Animal. The cover may proclaim them "Tag Team of the Year" but the combination of their unique look and the incredible photography (horror lighting, anyone?) made sure that no one would forget them even thirty-six years after hitting the newsstands. In what may be a record for the issue it recently sold for $70. This could be the one price listed in this entry that is higher solely from Animal's passing.

*The Road Warriors competed nearly everywhere, but many fond memories stem from their time with the NWA and Jim Crockett Promotions. The underrated memorabilia produced by JCP has long been celebrated in this blog and you may recall seeing many of those southern stars plastered on bandanas. The first one that I owned featured none other than Hawk and Animal. There are actually several designs featuring the tag team, but the one shown here has been selling for an average of $50. Considering how high these bandanas can go, it's actually a fair price.

*Even after Road Warrior Hawk's passing, Animal continued to venture in pro wrestling. He returned to the big time in the mid-2000's with another run in WWE. He still looked good and I was always pleased to see him continue to take part in the business. The company tried to utilize him in several different ways, though he was ultimately released in 2006. Several action figures were born out of this run as were trading cards and promotional photos. His solo promotional photo from this run, complete with the classic face paint and spiked shoulder pads, recently sold autographed for $20. 

*Ending as we started with action figures, we now look at what are probably their best remembered pair. In the ever popular Hasbro line The Legion of Doom was represented in what turned out to be the second and final series of tag team two-packs. The other set, The Nasty Boys, saw manufacturing problems thus causing Hasbro to send LOD-only cases to retailers early on. The Nasty Boys pack was the single Hasbro WWF item that I never saw at retail. Many other fans encountered the same issue. Due to this, many of the over-shipped LOD two packs sat on clearance. This has done nothing to hurt their value or take away from the fact that they are fun figures. You may recall that the Hasbro Hawk even made a cameo appearance at their WWE Hall of Fame induction. The pair of loose figures has been selling for an average of $90.

Hawk and Animal may be gone physically, but their influence will assuredly always be felt in the world of professional wrestling...and its merchandise. What else is there to say? What a rush!

2019--The Year That Wrestling Was Reborn

Just a few months ago I was not alone in the thought process that wrestling as we knew it was dead. Thanks to the stagnation of a company that so many of us grew up on and supported over the years, there wasn't much to be excited about. Everything from the storylines to the shows themselves have been formulaic for years if not decades. An alternative has been long overdue. While there have been other options in recent years, over the past month two new entities have given wrestling fans hope in what can only be described as a true rebirth of the squared circle.

For over a year die hard and casual fans alike have been abuzz over the company that would become All Elite Wrestling. The promotion, led most visibly by Cody Rhodes, has managed to ostensibly pick up where WCW Nitro left off on TNT nearly two decades ago. With an underlying theme of giving the fans what they yearn for in a wrestling promotion, Rhodes, The Young Bucks, and Kenny Omega are leading a band of relatively young talent who are tearing up rings on both cable and YouTube. Peppered with veterans like Chris Jericho, Dustin Rhodes, and Jake Hager (the former Jack Swagger), the company has enough name value to attract fans who don't necessarily follow the indy scene and its darlings.

Attending their fourth television taping in Pittsburgh, I was pleased to see that the atmosphere was completely different from similar events held by WWE in the past umpteen years. Fans were engaged throughout the show with very few backstage skits for the live crowd to be bored by. With a few exceptions, each individual character seemed to be someone that the audience was invested in. Perhaps the latter two dark matches (all of which air on AEW Dark, a YouTube program) were out of place in terms of match order, but I can't imagine that any fan left feeling ripped off.

While I enjoy AEW, I feel that more variety is needed on their roster. There's a place for "flippy" wrestling, but at this point there's just too much of it from match to match. This critique brings me to what is my current favorite wrestling program, NWA Powerrr. The brainchild of current NWA owner Billy Corgan, NWA Powerrr is a weekly one hour studio wrestling program in the grand tradition before the sport moved completely to arenas. The first taping occurred over two nights with about eight weeks worth of shows completed. Those shows air for free viewing on YouTube.

I'm not only biased towards NWA Powerrr due to the classic format, but I truly enjoy the variety of talent presented as well. Up and comers are coupled with guys like current NWA World Heavyweight Champion Nick Aldis, Cowboy James Storm, Aron Stevens (the former Damien Sandow), Trevor Murdoch, and Ken Anderson. All of the names that I just mentioned are men who never quite seemed to get their due previously on the national scene. They thrive here, drudging up memories of stars from the '70s and '80s who once plied their trade in very similar studios. Sure there's a lot of jaw-jacking going on, but it helps to invest you into the issues that these stars are fighting over. These aren't silly skits over stolen wives and high school boyfriend-girlfriend drama. These are issues over being the best in the business, aka winning championships and having integrity.

Due to the length of the episodes, NWA Powerrr keeps you wanting just a bit more as the classic wrestling television shows did. Seeing as that the promotion will be looking to pay-per-view buy rates for success, this is exactly what they need to do. Along with AEW, so far there has been little presented to insult the viewers intelligence. I'm not ashamed to suggest trying either program to lapsed fans. That's something that I haven't been able to say in a long while. As far as AEW goes, who doesn't want to give it a try once they find out that Tony Schiavone is back in the fold? Speaking of the former voice of WCW, he may just be the MVP of the professional wrestling world in 2019. Who would've imagined that?

Is WWE dead? Not by a long shot. Due to SmackDown moving to Fox and a general feeling of the beginning of a new era, I tuned into both that program as well as Raw for the first time in two years. I have to say that neither program is truly for me anymore, but that may not be the same for everyone. NXT remains a fun product, though it still has the looming overproduced feeling of WWE. Regardless, the company as a whole is home to many amazing talents who deserve admiration and support. WWE also has the best female roster going which really shouldn't be a surprise due to the immense size of the company.

The talent throughout the entire wrestling world is a huge part of what makes this new era so exciting. One of the biggest thrills of being a wrestling fan when there were different viable options promotion-wise was to see where the stars would end up next. We now have chances for those "what ifs" to happen again. It's truly an exciting time and a throwback in every sense of the word.

And how about merchandise? So far we have a lot of t-shirts. There are also a lot of enamel pins, the coolest two being that of the NWA World and National Heavyweight Titles. Certainly with all of the national buzz I see an action figure deal coming for AEW sooner than later. With its unique format, it's a bit more difficult to see what lies ahead in memorabilia as far as NWA Powerrr, but my mind runs wild at the thought. If ECW could have a toy line, so can the little studio wrestling show that could!

I am positively energized as a wrestling fan. That is a sentence I could not have imagined typing just a few short months ago. There truly is something for everyone out there now. From AEW and the NWA to WWE and all of its many brands. MLW is making headway and Impact Wrestling is still chugging along as what almost seems to be an island of misfit toys. ROH is still running, though with considerably less buzz, and I have a feeling that NJPW is about to challenge AEW by diving even further into the American market. And hey, don't forget about lucha libre!

Now, if we only had time to watch it all...

10 Years...

I still remember typing up that first blog entry. Little did I know where it would all lead. Who would have thought that a weekly blog about wrestling memorabilia would take off? When no one else is tackling the same sort of thing, readership will grow. Even with interest in the wrestling business at a fairly low point at the time, people came to read. Maybe it was because a huge chunk of the content was nostalgia. Either way, if you've read this blog at any point in the last decade, thank you! And before I continue, I apologize for this anniversary entry being stream of consciousness to an extent, but it just feels right in this case.

I always tried to keep the same mission: to enlighten and entertain using wrestling memorabilia. Though I did occasionally stray discussing other topics within wrestling, I constantly attempted to tie it into at least some collectibles. I also did my best to keep the content positive. It's easy to write negatively and sadly there are a lot of negatives in the wrestling business to write about. Did I stray? Sure. But you all enjoyed my infamous New York City encounter with A.J. Lee. I'm told that even Jay Lethal mentioned it in a shoot interview. Even with a little bad came some good.

It was interesting to see the highs and lows of readership from week to week depending on the content. As a rule wrestling action figures always attracted more readers. Looks through musty old magazines did far less. But as far as feedback, the latter always seemed to attract more. How does that work? Even I don't know. The posts covering the excitement around Greg Price's Charlotte Fanfests were usually well-received also. While they weren't 100% memorabilia related, I always had demand for more meet-and-greet stories. While many of those tales are being preserved for different avenues in the future, I couldn't ever resist spilling a few of them.

Dusty, Bruno, The King, and Piper are just a few names who I feel were written about more than others around here. I never thought that I would be writing memorial entries for The Dream and Hot Rod back in 2009, but time marches on. Autographs have also always been a staple, considering I myself am a huge collector of them. I know that doesn't ring true for every collector, but I appreciate you staying on if it's not your thing. While I don't think that every single piece of memorabilia needs signed, more often than not I will purchase an item if I think that it has autographing potential.

In case you missed the last entry of 2018 and haven't been keeping up with this years offerings, the blog is no longer weekly. For one thing, so much of what I've wanted to cover initially has been done. Another reason is that my time doesn't allow me the pleasure of getting an entry in weekly. If a writer is truly enjoying the content, the output will be that much better. If I'm rushing through to get an entry done just for the sake of getting one done, it isn't going to be good. For another truth to be revealed, my personal interest in the current product is at an all-time low. I have not seen a weekly program in well over a year and no longer regularly watch the monthly pay-per-views. While I love so much of the current talent, the presentation is nearly the complete opposite of what I want to see. Therefore, my coverage of current memorabilia suffers.

With all of that being said, we're nowhere near being over. When I have a great topic it's still just as fun as it always was to maintain this blog and continue the journey. I have several ideas lined up for the near future and still maintain all of the branches of the blog on social media through Facebook, Twitter, and Instagram. While the tales of wrestling memorabilia are now told in various ways outside of the blog that you're reading, it's a sincere hope of mine that you all still have a big spot in your heart for the original. You may not have a Thursday evening destination any longer, but remember to visit now and then.

In another decade we'll be reflecting on twenty years right here. Mark my words.

From The Musty Yellowed Pages--Mid Atlantic Wrestling Magazine Vol. 4 No. 3

 It's hard to believe that it has been over a year since we "cracked open" a classic wrestling magazine and took a look at all of the info, entertainment, and history contained inside. Seeing as that it's the return of our feature titled "From The Musty Yellowed Pages," where better to pick up than with one of the all-time classic characters of the ring and one of the most beloved promotions of the past? Killing two birds with one stone, we're taking a look at Mid-Atlantic Wrestling Magazine Vol. 4 No. 3 featuring the one and only "Sheiky Baby" himself, The Iron Sheik. Camera man, zoom.

I've always liked this cover. The yellow border is eye-popping and goes well with the baby bluebackground that Sheiky is standing in front of. This era of Mid-Atlantic Wrestling Magazine had a chrome, almost Star Wars-like frame to the cover photos. Very '80s, but a style that would be fresh and welcome today. The Sheik is in a classic pose, hoisting one of his infamous pointed boots and wearing the coveted Mid-Atlantic Wrestling Heavyweight Championship. His ownership of the championship coupled with some other photos inside of the magazine place this issue between June and September 1980.

Immediately, it's clear that no one involved with the production of the magazine knew how to spell "Sheik." On the cover and throughout the magazine it is misspelled as "Shiek." By and large, this is one of few mistakes in an otherwise high quality publication. While this series of publications considered itself a magazine, you could argue that these are more like programs. Featuring only around fifteen pages each, a high volume of photos,  and very short articles, these issues were sold solely at shows. All of these factors combine to make them highly collectible.

Like most vintage wrestling publications, each of these magazines is a time capsule. Anderson's Army was a stable managed by Gene Anderson who, at the time, was recovering from health issues and had to continue outside of the ring. He obviously had a successful run boasting both Mid-Atlantic Heavyweight Champion The Iron Sheik and NWA Tag Team Champions Ray Stevens and Jimmy Snuka as being under his tutelage. Seeing Snuka as a more civilized heel than his better known WWF run as a savage would be jarring to some fans. On the flip side we have the Mid-Atlantic Tag Team Champions in the form of Matt Borne and Buzz Sawyer. No clowning around when it came to that duo.

As with most magazines of the era, you get a centerfold. Despite it being Mid-Atlantic Wrestling, there's no Penny Banner or Susan Green here. Instead, yes, it's once again The Iron Sheik. Humbling, to say the least. Following the poster is a short black and white profile and photo gallery of the worldly Iranian. His legitimate Olympic background is discussed. Fans always enjoy seeing a young Sheik, complete with hair. Speaking of hair, check out the long locks on The Sheepherders. Luke Williams and Butch Miller were a simply bushwhacking team of crazies.

At the end of the day Mid-Atlantic Wrestling prided itself on presenting second-to-none ring action. Here we have a small photo feature on a bloody tag team match pitting Ric Flair and Blackjack Mulligan against Bobby Duncum and Greg Valentine. Can you think of four harder-hitting competitors? Of course Flair and Valentine were no stranger to tag team wrestling in the area, at one time teaming together. On the other end we have a full color shot of Sweet Ebony Diamond. Wherever Diamond wrestled, you can be sure a little Rock was rolling right along behind him.

And of course no Mid-Atlantic Wrestling feature is complete without stalwart Paul Jones. The passing of Jones earlier this year was sadly overshadowed by names more familiar to the modern fan, but there's no denying that it was one of the biggest blows to the business in 2018. From the sound of the article, it appears as if "Number One" was once again wrestling on the side of the fans. We all know that didn't last long.

As mentioned above, the Mid-Atlantic Wrestling Magazines are highly collectible and sought after. Secondary market prices vary, but it's often hard to pinpoint individual issues at any one time. You either strike while the iron is hot or you could wait some time before you see that exact issue available again. From the earlier artistic covers of the '70s to the photographic shots that brought the publication into the following decade, I don't think there's a single issue that sells for under $20 if properly listed. Monetary value aside, they're just fun to collect!

And there ain't nothin' humble about that!

The "Granddaddy of 'Em All" of Wrestling Conventions...

Over the past decade wrestling conventions have popped everywhere. Just like in other genres, "cons" allow fans to mingle with stars in addition to meeting with other average Joe's who have the same interests that they do. These wrestling events provide access that would have been unheard of even just a few decades ago. While there were smaller fan gatherings that occasionally received attention from the wrestling world, it was nothing like the modern day scene. And as far as these current conventions, nothing compared to the mighty NWA Fanfest.

You may have heard it referred to as "the Charlotte Fanfest," "Greg Price's Fanfest," or "NWA Legends Fanfest," but it all really started as a tribute to Jim Crockett Promotions under the name "Mid-Atlantic Wrestling Legends Fanfest." 2004 actually saw three different events held under the banner, and my first came over Thanksgiving weekend of that year which was deemed "A Tribute to Starrcade." Never in a million years did I think that I would be up close and personal with Harley Race, Ricky Steamboat, Greg Valentine, Arn Anderson, Tully Blanchard, and Ole Anderson, not to mention seeing legends like Dusty Rhodes and The Masked Superstar who I'd already had the pleasure of meeting. It was a wrestling dream come true.

I would go on to attend quite a few more of the Fanfests in Charlotte, in addition to those which branched out to Rockville, MD and Atlanta, GA. Each one had its own unique flavor and special guests. Many fans began to view the event as a family reunion. Not only were they seeing their "television family" from the old days, but they were reuniting with the new family that they had made thanks to Fanfest. Promoter Greg Price and his tireless staff made sure that this atmosphere was cultivated each year and never disappeared.

In addition to the personal feeling of the weekends, fans got to see and witness things right before their eyes that they never could have fathomed. The Horsemen together again? Dusty Rhodes returning to the Charlotte stomping grounds of Crockett Promotions? Jimmy Valiant and Paul Jones hugging and reminiscing? Harley Race and Ric Flair sitting down to discuss Starrcade? The legendary dog collar match revisited? It all happened at various Fanfests, and those are events just off the top of my head.

Of course, there are bittersweet memories as well. Rowdy Roddy Piper performed a stellar comedy act at 2011's Fanfest, only to have the news of his death break during the 2015 weekend. Many of us vividly remember managers Sir Oliver Humperdink and Gary Hart running around Fanfest like a couple of kids at Disney World. A few years later, Humpy would induct his friend into the Hall of Heroes (an event held at Fanfest) shortly before passing away himself. And of course all of the names like Sherri Martel, Buddy Roberts, Jimmy Snuka, Ivan Koloff, Ernie Ladd, and Jack Brisco, to list a few, who attended the event before their deaths.

This year's Fanfest was cancelled for unknown reasons. It would be a true shame if we have seen the last of this great event, as no other convention offers what Greg's show did. I often liked to say that it had "something for everyone," and I wasn't lying. With my very own eyes I saw folks both young and young at heart enjoy the legends and living the memories that were simultaneously being made. It was a spirit that is not often able to be captured, bottled, and released year after year. At Fanfest, that was the magic that indeed happened.