Thursday, August 14, 2025

An Epic Flashback To Hasbro Glory

Recently on the vlog I’ve taken a look at some new retro wrestling figure releases. I’ve been very pleased with a lot of the product that we’ve been hit with but I felt that at least one set deserved an extra bit of detail that I can give in a traditional blog review. That set ended up being one that’s full of extra bits of details itself – Epic Toys Wrestling Megastars Series 4. Formerly Chella Toys (don’t ask me the history…I don’t tune in for the drama, I just know that it cleared up), Epic has positioned itself as one of the top boutique retro figure manufacturers with a combination of quality product and dedication to getting product out without making boatloads of promises. How many others could take lessons there?

The fourth series of Wrestling Megastars brings us a much improved version of a legend from the original Hasbro line, two stars who wouldn’t have been in that line and one who by all rights SHOULD have been in that line. In order I’m speaking of Ric Flair, Barry Windham, Dr. Death Steve Williams and The Barbarian. All four are packaged in, what I first seemed as such over twenty years ago, “collector friendly packaging.” As it was explained back in the day, “collector friendly packaging” means that you can open the figure up, remove it and then replace it with no one being the wiser. No seals, stickers, horrendous clear plastic bands or anything else. It causes some controversy among collectors as to what is truly “mint” and what isn’t, but we’re not here to discuss it. My only rule is that if it has some sort of seal, even ever so small (as a few of the Mattel WWE Retro releases have), I won’t get the one that I’ve opened autographed. For figures like these, where removing the figures and replacing them causes no harm, I actually prefer to slide out the card back and just get that signed. Personal preference.

Looking at each figure individually we’ll start with The Nature Boy. If I had to pick “worst Hasbro WWF figure” I don’t think I could pick anyone but Naitch. From the use of the Rick Rude body to the awful head (when I initially saw the “Undertake ‘Em All” ad I actually thought Flair was Dino Bravo) it was easily Hasbro’s worst “effort” of the line. I think I may have “worked” him a handful of times before I went back to the great Galoob figure. Have things finally been made right? In a nice touch by Epic this figure is actually based upon his WWF run, specifically his 1991 Royal Albert Hall match against Tito Santana. A great one to seek out or watch again.

Decked out in a soft goods green robe and green trunks, Naitch is stylin’ and profilin’. Even if we wouldn’t have seen elbow movement like this in a Hasbro, everything else about the sculpt matches up. I’m mixed on so much soft goods being used in retros since Hasbro did it so sparingly but something about this robe looks like it could’ve been done back then. I think it’s actually the gold trim. I can see this figure hanging in a store in the early ‘90s and that’s the effect we want.

Next up is Steve Williams. The good doctor is also decked out in a soft goods robe and is completely covered in red and white throughout the figure as he often was. The sculpt here is even a bit “softer” than Flair and it’s right in line with Hasbro. Of course he was nowhere near the WWF in that era but we’ve long since passed just getting then-current WWF talent in this scale. A retro Terry Gordy would go absolutely amazing next to Doc.

Another who didn’t have much of a chance to be a Hasbro (they were being planned during his brief stint as The Widowmaker) but did have a great Galoob is Barry Windham. “The Lone Wolf” was one of my favorite Galoob figures and definitely one of my most used back then. He had a great pose and I can honestly see a lot of that influencing the figure here. Once again the sculpt is on point for Hasbro authenticity. I’m still undecided on how I feel about the soft goods vest and the extra “claw” hand. Hasbro definitely would’ve sculpted the vest on or left it out completely. The torso sculpt is actually so good and Hasbro-esque that if I were ever to display the figure I may not even keep the vest on. Swappable hands have never been a favorite of mine with the few retro figures that have had it but I do understand the inclusion. It’s a feature of modern figures that’s been integrated.

Last but certainly not least we have The Barbarian. It’s baffling that it’s never even been rumored that Hasbro had him in the works back then. He’s a toy…he has fur and antlers…he’s a barbarian! Epic knocked it out of the park with their Powers of Pain version and this singles effort is no different. Some are calling this “Figure of the Year.” It’s absolutely amazing that this look has never before been done as a figure. The embarrassment put out by Jakks that was completely devoid of accessories and detail does NOT count. I will say that the detail here is a bit more than Hasbro would’ve done but how can it not be excused? We’ve wanted this look as a toy for thirty-five years. Barbs has come home to The Heenan Family.

It's a great set. Any or all of these would be right at home in any retro collection. My ultimate retro “test” is if you placed the figure in question among a smattering of original Hasbro releases and showed them off to someone without a clue as to who made what. If the new figure blends right in it’s obviously good to go. I think Flair, taking all factors mentioned in his individual review into consideration, would pass best. Windham would be second if the casual observer was less savvy on real world wrestling time lines. As far as modern retro wrestling figures go there isn’t a loser in the bunch.

As mentioned earlier I’ve done some quick reviews of some other recent retro releases on the vlog so be sure to check them out here.That platform has admittedly become my focus these days but I appreciate any and all who still come here to the blog for the occasional read. It keeps me going in all forms of coverage any time that I hear someone say that they’ve enjoyed any of my content. As always…thank you! And as I also always like to think, the best is yet to come!

Friday, August 1, 2025

Immortal Lessons

As I’ve already said on the vlog, the day that Hulk Hogan would be no longer with us is a day that I have indeed thought about at times. He transcended. He was not only larger than life but, ultimately, larger than the business that he helped take to new heights. As difficult as it is for some to admit, everything in the previous sentence is true. Because of that, when thinking about his passing I knew that things would feel different. All deaths bring feelings of change and difference, but somehow this is just larger. The true end of an era.

On Twitter (or whatever it is now) all I could think of to write, initially, was the hashtag #TheWeekThe80sDied. A beloved television actor best known for an ‘80s character that many of us grew up with in Malcolm-Jamal Warner. A rocker who tore up stages for decades but had much success, fame and controversy in Ozzy Osbourne. And, of course, The Hulkster.

I also illustrated in the vlog tribute how, in the ‘80s, absolutely everyone knew Hulk Hogan. The same simply cannot be said for any other wrestling star or icon that I can think of, and I, like many of you, am aware of them all. There just isn’t that one who captivated absolutely everyone around the globe. It was an undeniable charisma, a true magic that, even then, detractors wanted to deny.

In recent years did the man, Terry Bollea, earn some of those detractors? Certainly. He was human and he made mistakes. I will reiterate another statement that I made in the vlog: if you want to show me a single human being without a shred of “complicated legacy” then you’d best be showing me a picture of the late Fred Rogers. Everyone else has one. Some are simply targeted more than others. It’s an unfair fact of modern life. The social justice warriors, virtue signalers and white knights WILL pounce on anything to make themselves feel better. It’s an ugly part of the current world.

I choose to remember Hulk Hogan, the man or character that I met. The man you’ve seen standing with me in the main picture of this blog for over a decade. The one who, because of that photo, a clownish wrestling “journalist” tried to use to have me “cancelled” by his followers because I dared question who he was. The perfect example of the aforementioned virtue signalers mentioned above. This idiot failed then and he continues to fail. Funnily enough, he’s another victim of Hulkamania. That’s gotta hurt.

Thank you, Terry Bollea, for bringing Hulk Hogan to life. Thank you, not for “saving” professional wrestling but for transforming it into something that it had not been previously and bringing many new eyes to it. Thank you for, in any interaction that I personally witnessed, treating everyone equally and with respect. I’m sorry that your last years were marred with controversy. You brought that on yourself just as we all cause ourselves issues at one point or another. The ones who think that they’re perfect and incapable of such things…they’ll learn someday.

Thank you for making Hulkamania, indeed, immortal.

Much Love,

JW

Hulk Hogan

1953-2025


Thursday, July 24, 2025

15 Years Later…Bruno & The Wrestling Legends Cards Are Still Uno

It’s an odd feeling to be doing a follow-up to an entry published nearly fifteen years to the day earlier. Even odder is that I had to research when the original was done and it just so happened to be way back on July 20th 2010. A completely different world is so many ways, yet, here we are without any huge visual changes like in the span of, say, 1965-1980 or 1980-1995. I almost feel like visuals have stopped changing somehow but that’s not the topic at hand.

Back in 2010 I either tracked down or was pointed in the direction of a man named Tim Ferrante who, back in the ‘90s, was vice president of a company called Imagine Inc. While many know the company for publishing trading cards and other items in the vintage horror/sci-fi genre, wrestling fans are aware of the name for being behind Bruno Sammartino’s autobiography and the 1991 Wrestling Legends trading card set. It was the latter which Mr. Ferrante was kind enough to speak about. He even provided rare trade show photos highlighting the association with “The Living Legend.” It became one of the highest-read entries in the history of this blog.

Fast forward to March 15th 2025 and I finally find myself speaking to the other side of the creative force behind these early ‘90s Bruno relics – a man by the name of Bob Michelucci. From being one of the zombies in the original “Dawn of the Dead” film (made in a huge location of my childhood – Monroeville Mall) to being involved in endless other projects in design and marketing around the Pittsburgh area and beyond, Michelucci is an unsung hero to so many of us. Speaking with him you not only walk away with more behind-the-scenes info than you ever thought you’d know but you also get the feeling that Mr. Michelucci is unaware of how much joy he’s brought to so many, whether it be in the spotlight or behind the scenes. It’s just his life’s work.

It was the “Bruno Forever” event, covered in an earlier entry, where I finally met Mr. Michelucci. A few months later he hosted a weekend long event, at the aforementioned Monroeville Mall, called a “living estate sale.” Even with being involved with and/or behind so many projects over the years, Michelucci is a collector himself. Like with all of us collectors eventually comes the time to downsize. A small portion of the large sale included items from Michelucci’s days working with “The Living Legend.”

I was able to add a few things to my own vast Bruno collection including the trade show photos that you see here which also feature Bill “Chilly Billy” Cardille (Pittsburgh broadcasting legend and host of of Pittsburgh’s Studio Wrestling), Johnny Valiant and photographer George Napolitano. They’re a fascinating glimpse back to when you actually had to bring a camera to such an event. No whipping out your phone here. The photos range from the Vegas trade show which was also shown thanks to Mr. Ferrante back in 2010 to local signings here in Pittsburgh.

I also finally picked up a signed Bruno LJN Wrestling Superstars poster. I never did start getting the LJN posters signed, instead concentrating on having the carded figures themselves signed, but what a way to start. Normally I’m not interested if something is signed to someone who isn’t me, but occasionally an exception is made. When it’s signed to the co-author of the autobiography of the signer it’s definitely one of the latter times.

Rounding out the Bruno haul was an original flyer advertising the book’s availability and the last piece to the Wrestling Legends trading card set. There was an initial base set which my father bought for me way back when the cards were new. There was also a set featuring a special eight card gold bordered autographed subset. This version, which was very affordable even back when I did the initial blog entry, has soared in the recent years as it features the only officially signed cards of Buddy Rogers and Lou Thesz. What I still needed was an unsigned set of those eight special cards which was also released. My set is finally complete.

Best of all were all the stories Bob has about those Imagine Inc. and Bruno days. He mentioned that, even then, some guys just weren’t able to be part of it. This was long before the days of “Legends Contracts” but you can imagine that names like Gorilla Monsoon, George Steele, Jay Strongbow and Pat Patterson probably would’ve been included but were still very much employed by the WWF at the time. Bob also never let it goes unmentioned as to what a great guy Bruno was. He is so very much right.

Stay tuned to our Facebook blog page for info on future “Living Estate Sales” that Mr. Michelucci will hold as I will be passing the info along there. Also, I still stand by my claim from the original entry in 2010: the 1991 Wrestling Legends trading cards are STILL the most underrated wrestling cards of all-time.

Sunday, June 1, 2025

The Wrestling Memorabilia Vlog!

 


Right now the vlog is where it’s at! The blog certainly isn’t dead, but the vlog format offers a style of content different from what you’ve come to expect yet familiar in quality, entertainment and information! Come see why they call me “a face for radio and a voice for silent film” by clicking the photo above!

Thursday, May 8, 2025

The Retro Play We Deserved…

As wrestling figure collecting children we all dreamt of so much that, at the time, had no chance of existing. Take Hasbro for example. We had the wrestlers, the rings and a few items that didn’t fit with the figure line but were fun anyway. We were very pleased with what we did get, but we wanted more. Managers, announcers, referees, more championship belts, a cage. These items were essential to our “Federations” and we didn’t officially have them. Aside from a cage (it had to have been on the drawing board at one time or another) Hasbro never intended to bring us any of this. Nor did they plan on expanding play environments. Any wrestling fan knows that the action isn’t limited to the ring, it’s all over the place. Just as boutique companies, Mattel and even customizers are filling in the blanks on the figures we wanted, another provider is bringing us some accessories that our figures so desperately needed.

Enter Wrecollect Retro Creations. The Wrecollect products first came to my attention when I kept seeing this amazing playset of Brutus Beefcake’s Barber Shop showing up in photos. It looked like it could’ve been produced by Hasbro! Eventually I found them on social media and their website, wrecollect.com. Not only do they produce the playsets and accessories that we all wanted for our Hasbro figures in what’s currently referred to as the “retro” scale but also some sets for modern figures.

Cages, entrances, Piper’s Pits and Barber Shops are just a few of the sets they’ll do, but two caught my eye so much that I had to check them out. Those would be the retro scaled Locker Room Playset and Entrance Throne. Old school WWF fans will recognize these as figure sized representations of the classic locker room interview set on WWF television in the very early ‘90s and the throne (or “sedan” as the WWF liked referring to it) used by King Haku, Macho King Randy Savage and others.

The first thing you notice upon sight is how these boxes look so much like something Hasbro actually would’ve produced. Wrecollect goes out of their way for the full retro feel. The fonts are exact, the logos are as close as anything unlicensed is going to get and there’s even an adapted Hasbro logo. The figures shown in use with these playsets are a nice touch as well. I especially got a kick out of the retros of more modern stars being used to carry the throne as the “enhancement talent” used to do. Very fitting.

Opening the boxes yields even more attention to detail. The seat itself on the throne is made to look as if it’s made from actual wood. It really adds to looking just how the real one did. The rails to carry it have small arches cut into them so that it can nicely fit onto the shoulders of the wrestlers carrying it. If you just want to display it a post/stand is included. That way your King or Queen can stand alone in all of their royal splendor.

The locker room has even more amazing attention to detail. You didn’t think that every locker room in every arena looked the same back then, did you? Of course you did. We all did. Now we can continue that childhood innocence. The famous blue lockers are there complete with opening doors. The pay phone (grabbed by The Macho King himself!) is ready for calls and the receiver can be held in a figure’s hand. Even the bulletin board is full of detail with some very recognizable ads from the era. Hasbro or ICOPRO, anyone?

The locker room also connects to two other playsets by Wrecollect from the same era, those being the WrestleMania interview area and the WWF entrance way/curtain. It’s a sturdy material and truly looks like an item produced by “the big guys.” Hey, since they’re not giving us everything that we want let’s help out someone who’s dedicated to the craft. Be sure to check these guys out on their aforementioned website and on all the socials under the name of their company.

Also be sure to check out J\/\/’s Wrestling Memorabilia VLOG which is getting pretty active again. I’ve done three new videos in the past few weeks to some good, and encouraging, feedback which is making me want to produce even more content down that route. Check them out here on YouTube and be sure to let me know what you want to see in an upcoming video. Keep it clean, I’m a gentleman!

Thursday, April 10, 2025

“I wasn’t a victim of an action but rather of the response.” — Me

This one isn’t about memorabilia. It has a wrestling connection but I wouldn’t call it a wrestling post. It’s something a bit different and, probably, a tad controversial. I don’t do “trigger warnings” but if a little truth about an issue that’s gotten some traction on the net in the past week or so isn’t your thing, you may want to skip this one. I believe it’s a worthwhile read considering many of you collectors who would be reading this are into conventions and meet and greets.

This tale involves a Pittsburgh area convention known as Steel City Con. The show itself is not in the city of Pittsburgh but the nearby suburb of Monroeville. The show began in the late ‘80s as “The Pittsburgh Toy Show” so it’s always associated itself with the city even though it’s never technically been held there. To be fair, many residents of the surrounding suburbs will respond “Pittsburgh” when asked from where they come from, myself included. The town where I spent the majority of my childhood was even a tad further away from the city yet our mailing address was Pittsburgh. It’s one of those things that some find strange and others realize is no big deal.

I started attending the show, as the toy show, about twenty years ago. In fact up until about five or so years ago I referred to it strictly as “toy show” and everyone knew what I was talking about. The “Steel City Con” name came about around 15 years ago or so. I really don’t recall the exact time for the name change. As I just said it took me years and years before I ever personally called it that. For a few shows those in charge tried to float it as “Steel City Comic Con.” This created confusion as there weren’t too many tables with comics, but many of us realized what they were attempting to do. They were trying to become a Pittsburgh version of the famous San Diego Comic Con. Around that time is when the tone of the show really began to change.

When it was Pittsburgh Toy Show that’s exactly what it was: a very large toy show. Deals were insane if you went at the right times. For those of you who want a little wrestling memorabilia thrown in I’ll give you the best deal I ever found (and they were endless): an LJN Warlord figure for 75 cents. Of course there were the dealers who knew what their stuff was worth or wanted more than any educated consumer would pay for their wares, but just as I do at shows today I ignored those tables. Always go for the box UNDER the table. In fact, very, very few of the dealers at this particular show had a clue about wrestling items. While they had their vintage Star Wars and GI Joe items at full price, they’d often bring wrestling stuff along just to get rid of. It was a paradise.

At least as far back as I’d been going there were a few celebrity guest appearances added. I’m not sure exactly when it started but when I first attended we were still in the days of a $20 “combo.” Heck, Bruno Sammartino was standing there telling folks not to pay and that he’d sign for free outside. That’s our Bruno. But you also had names such as Dirk Benedict, Verne Troyer, Tiffany and Kenny “R2-D2” Baker. It was before meeting celebrities became the overpriced mess that it is now. As the show switched buildings and names, more celebrities began to be added. This is also when cosplay came into the picture.

The cosplayers, though I have nothing personally against the concept, were a major part of my personal detachment from the show. They weren’t supporting the toy vendors. Overpriced root beer and homemade soap? Sure. But cosplayers and myself had very different wants and interests. Because the show wanted to be San Diego Comic Con it was the cosplayers who were catered to. Every show I heard more and more displeasure from the toy vendors and then, suddenly, loads of them began disappearing. Suddenly I also no longer felt compelled to attend every show despite living nearby. Unless a certain celebrity that I really wanted to meet was attending I didn’t really feel the need to go. That was exacerbated with the outrageous costs being asked for autographs and photos. Even if there was a celebrity that I enjoyed it truly had to be an event for me or else I had little interest in spending the time and money.

Here’s where we do a bit of a time jump. We’ll get back to my own experiences after addressing the current state of the show and the controversy that spurned these remembrances to begin with. Around ten years ago (again, the time frame could be off a few years) the ownership of the show changed. The original founder, who always had a reputation of being difficult, sold to new owners who obviously had a huge vision. The guests became even bigger in name, cosplay became a featured event complete with contests and the toy finds became even fewer and far between. Suddenly “VIP Passes” were purchasable so that fans could “skip the lines” for certain guests. In short, the show became more of a cash grab than ever before. To the owners credit, I’m sure that more cash than ever was going into their pockets and that’s their one and only goal.

This past weekend was the latest edition of the show which has always been held three times a year. As with all shows run by any promoter you’re going to announce your appearing names well in advance. Even if they end up cancelling, which many do for various reasons, you’re going to promote the Hell out of them every chance that you get. Again, it’s called promotion. Some of the Con’s most ardent supporters decided “never again” when, hours before the show, Steel City Con announced that actor Kevin Spacey would be attending on Sunday. If you don’t know why this is controversial I don’t need to repeat it here. A quick Google will do you. This made some convention goers feel “unsafe” and, traditionally, the show does not offer refunds at all. It was either attend or lose all of your money.

Personally I would not have cared either way as far as the appearance itself was concerned. Looking at the list of attending celebrities I’m going to single out Henry Winkler and Jimmy Hart. Why those two? Of the dozens who appeared those are just about the only two who I think may not have a single odious skeleton in their closet that would make someone not want to meet them. This is Hollywood. These are stars. I’ve said it so many times over the years. While I’m just as guilty as the next guy for wanting to meet many whose work I’ve admired, things go on among the famous that we simply need to put out of our heads in order to enjoy their work. It’s just how it is. It’s why I have a problem with certain wrestlers being singled out for things while others are ignored. It’s a popularity contest. Would anyone have scoffed at Kirk Douglas making a convention appearance? Of course not. If you’re asking what this means, maybe it’s better that you don’t know. If you do want to know, Google a certain child star who was married to Robert Wagner. Wagner who, for the record, did in fact appear at Steel City Con several years ago.

By all accounts the Spacey appearance went smoothly but controversy still reigned. The Con courageously disabled comments on social media, taking the blame as they always do. That’s sarcasm, of course. They’re masters of victim blaming. That leads us to what you’ve all been waiting for, my own story. I’m hardly calling myself a victim of an action but rather of the response.

I did not attend this latest show. It’s been a year since I’ve spent my time and money there. The last time was in order to meet a lifelong crush who passed just a few months later, Shannen Doherty. That meeting was great though I could tell that the show itself was descending more and more into what drove me away to begin with. But what truly soured me on the show happened several years earlier at one of the first ones held after the COVID virus. That’s a key factor here. I can’t remember who all I was attending for, but this story involves meeting John Bradshaw Layfield. Though he’d appeared at several events I’d attended over the years I had never taken the opportunity to meet him. This time I decided to do it and let me say in advance that my interaction with him was perfectly fine.

The line was a couple of people at best. I was with friends who I frequently attend shows with and as far as meeting people we have it down to a science. We should after decades of this stuff. If one is around they’ll snap your picture if you’re getting one. If two or more in the group are getting pictures we’ll often advise the attendee. That way we can rotate phones/cameras and the celebrity can stay standing and/or in “picture mode” and doesn’t have to switch between posing and signing. I couldn’t even begin to tell you the amount of celebrities and attendees who’ve appreciated this over the years. We don’t waste their time or energy. We make it easy. Honestly, we give them the time back to work with the overexcited fans who need to tell their life story. It happens and there is nothing wrong with it.

As I paid my fee and had in hand what I was getting signed, I handed my phone to a friend who was behind me. The attendee began to randomly look upset and I didn’t even have a chance to explain the system that I just outlined in the paragraph above. Why didn’t I have the chance? She grabbed my arm, dug into it, and forcefully pushed me to the side. Physical touch right as the show is coming back from a pandemic.Was I hurt? Not at all. I’m roughly six foot. The reason that she could move me is that I’m not going to fight an older woman much smaller than me. Putting her hands on me? That’s a bit of a different story but she did it so fast that I had zero time to react. She blindsided me for no particular reason. I met with JBL, got my stuff done and left the area. 

Remember that it wasn’t the action. I’m not pretending to be the victim of some massive physical assault. It was the fact that it was inappropriate, uncalled for, unprovoked and humiliating. Not to mention that it was unbelievably ill timed for anyone to be touching anyone else without permission considering the world climate at the time. But it gets worse.

My cohorts, all witnesses as shocked as I was, advised me to talk to someone in charge about it. Who was around to hear me out? No one. More volunteers. Unpaid folks just as this woman was. This woman has a reputation of being a celebrity obsessed hanger-on who only volunteers to be “close” to the stars. Others are there because they enjoy helping keep order. This woman had zero skills for that, as was obvious. In a twist of irony I’ll give you one guess as to who appeared in photos as the attendee with Kevin Spacey. Food for thought? This woman, likely with zero life outside of this, felt the opportunity for a power trip.

I eventually took to their social media. We know that in this day and age most companies cringe at any sort of bad review on most social media platforms. To their credit someone involved with Steel City Con responded…and promptly blamed me. They said that they asked the volunteer and had other witnesses who backed her up. I was apparently causing an issue. She’s going to risk losing her time with the stars and admit that she was wrong? The witnesses with me didn’t count? I didn’t want money, I wanted an apology. I did get lots of sympathy from others who had, and I quote, been “gaslighted” by the Con in similar situations. I still have those messages in case they’re ever needed.

That was that. Again, just I’ve said twice, the action wasn’t the true crime, it was the response. Am I the fool for even going back a few times after that? Maybe. But that’s why that, even though I have no opinion either way about Kevin Spacey being a guest at the show, I’m enjoying every last bit of bad publicity that the show will get from it. Will it ultimately hurt them? No. The public is fickle. A large amount of loyal, cult-like followers regularly attack anyone who has anything but absolute praise for the show and its organizers. As I’ve shown here they’ve gotten away with similar injustices in the past and won’t ever give it up. Too much money to be made. It’s rich on all levels that they advertise respect and safety and tolerance and all of those lies, but would you expect any less? At least now there’s a public record of just one of the horrible ways that they’ve treated a paying customer over the years.

And one that they can’t shove under the rug nor erase.

Thursday, April 3, 2025

The American Dream 2025

I’m admittedly biased, but I still feel that Dusty Rhodes is underrepresented in the figure world. It’s certainly a lot better than it was when all we had was the infamous polka dot Hasbro, but for a man as big as he was to the wrestling business I still feel we should be seeing him more often. I’ve always felt that he missed what should have been his figure debut, alongside Ric Flair, in the Remco AWA line. Remember that some stars such as Flair, who weren’t necessarily AWA regulars, did in fact make the line.

The increasingly laughable brain trust at Mattel have done something to remedy that and made an unusual set of wise moves in doing so. In their WWE Superstars line, a homage to that forty-year-old Remco collection, The American Dream has finally made his debut. Packed alongside his son Cody, The Dream debuts in the first two-pack for this particular line. Mattel, in a nearly unheard of move, also made it painless to get these figures. While the normal WWE Superstars line is a complete nightmare to locate due to being exclusive to Walmart, Mattel released this two-pack on their Mattel Creations website. A few button clicks and no anger or worries. It’s a great thing and Mattel would be wise to just throw every exclusive onto the site. I’m sure that they’ve lost many collector dollars with their constant need to frustrate loyal customers.

It should be noted that the biggest difference between this set and the regular WWE Superstars line is the packaging. This two-pack is done in the slide-out clamshell packaging. While there is tape, baggies and other materials that end up in the garbage involved, you can return the figures themselves to the bubble without much being noticed. Still, it won’t be “mint on card” so if you insist on having it both ways you do have to purchase two sets. I’ll also take this time to make a prediction. I think that we will see a single carded Dusty, most likely in polka dots, in the WWE Superstars line. I have zero inside info. I’m not a bootlicking influencer so why would I? Simply an educated guess.

But how does Dusty match up? Is it the Remco figure we’ve yearned four decades for? I can’t recall if I’ve ever reviewed any of the previous WWE Superstars figures here on the blog before. In the event that you’re unfamiliar, the body types are sort of a modern upgrade to the original Remco AWA figures. If you’re familiar with the Masters of the Universe retro figures you’ll have an inkling. They fit in with the originals but possess more articulation, swappable hands and other modern “amenities.” True to the original Remco offerings the WWE Superstars are big on removable soft goods outfits and some accessories. When you can find the line at retail you certainly don’t feel ripped off. Many of the figures such as Andre the Giant, Earthquake and Brutus Beefcake are even “two-figures-in-one” with a few accessory changes. 

Dusty includes a smattering of different hands, a removable soft goods shirt and the classic NWA Championship belt. I saw some complaints on how “basic” the belt was when the figure was revealed. That showed me that those commenters had no business even collecting the line. The belt is a homage to the belts included with the Remco line. The plates are printed onto a rubber strap. While the Remco belt was a sticker on plastic it’s the same concept. It works perfectly and I wish that Mattel had done this with previous belts in the WWE Superstars line. The shirt is the same design that was released with an Elite figure several years ago. Cody also has some additional hands, a soft goods shirt and his trademark weight belt.

Traditionally the Remco AWA figures were either “ripped” or “fat” bodied. We have one of each here. Dusty has his splotch which, though I’m not sure the Remco would’ve had it, is subtler than on the modern figures of The Dream and fits the bill. The faces on both are very good and better than Remco would’ve done however that’s been the case with all of the WWE Superstars figures. The upcoming Remco/PowerTown line is going for the same look. I will best describe it as being a “modern homage.” I guess the basic head look from 1985 just wouldn’t sell today…except to me.

There aren’t any action features or high-level detailing here and those aren’t what this line is about. They aren’t for everyone but they certainly have proven to be popular. I again applaud Mattel for making Dusty accessible to everyone as all of the figures should be. The price is a tad higher than I think most would line but, again, I’m going to throw ease and convenience into the cost. I will always pay a bit more (on a retail level, not to jobless Cheeto fingers hunting at stores instead of working a real job) to save time and frustration. Not enough people understand that time is so much more important than money. You can always make more money. There are endless opportunities. When you’re out of time there’s nothing else. Think about that.

I truly thought that the aforementioned Remco PowerTown line would be among the first reviews here on the blog in 2025, but perhaps that was some very wishful thinking. I’m still hoping to do an entry on those, too, but as you can see with this type of figure there isn’t all that much to review. While I’m personally all but done with giving Mattel and most of these other manufacturers my frustration, this time they did a good thing. It’s a set that I recommend for most any collection and, once again, one that’s easily accessible. 

The definition of “The American Dream” has meant a lot of things to a lot of people. In the sense of the American people, in 2025 “The American Dream” is being sick of rich people, sick of money-grubbing companies and (most importantly?) sick of wrestling toy manufacturers, wannabe manufacturers and their absolutely piss poor treatment of the hard-working consumer. At least this set, in some small way, helped ease up that last one a bit.

Until my next pre-order gets cancelled, that is.