Wrestling MarketWatch: Goin’ South!

We’re goin’ south! A little trip back to the southern wrestling territories and promotions, that is. It’s truly fascinating how something like professional wrestling could have different flavors wherever you went in the country or even the world. The presentation, the in-ring style and even the fans themselves could be as different as night and day from region to region. Even more interesting, and perhaps worthy of some sort of study, is how many wrestlers were able to adapt going from area to area. Even still, why did some flounder upon moving? Regardless, in this latest edition of MarketWatch we’re going to look at a few items from the southern wrestling territories. Grab your Diet Cheerwine and a drumstick from Bojangles, we’re headed for Dixie!

*While traces of the territorial system still exist and certainly independent promotions in some areas will differ from others, the wrestling landscape is largely a different animal nowadays. The last true territory in the eyes of many people was Jim Cornette’s Smoky Mountain Wrestling. From 1991 to 1995 the promotion used a mix of established stars and up-and-comers to reflect Cornette’s vision of what wrestling should be. To this day the shows and matches from SMW thrill fans, but there just wasn’t enough support at the time to keep it afloat. Not only does Corny need to make a return to public appearances, but why not give SMW another shot? I think we need another dose of quality southern wrestling. The very first SMW Ringside Report recently sold for $38.

*Another man who had his hand in not only the on-air portion of the product but also the behind-the-scenes aspect of southern wrestling was “The American Dream” Dusty Rhodes. You know that Dusty is one of the G.O.A.T.’s around this blog, so I won’t go into all of his accomplishments yet again. You also know of the beloved Mello Yello ad-campaign that Dusty helmed in a deal with Jim Crockett Promotions thanks to several blog entries and the great commercials on YouTube. The Mello Yello cans featuring the mugs of various NWA stars are highly collected to this day and not always the easiest to find. The aluminum masterpiece featuring The Dream himself recently sold for $60. I really miss Mello Yello Zero. Just sayin’.

*It’s sort of a trend that we’re featuring stars who were as prominent behind the scenes as they were on camera. Ole Anderson is another that fits the bill. I’ve said it before and I’ll say it a million times more: for as much as it’s written that Ole is grumpy this and opinionated that, he was always great to me. Always willing to sign autographs, take photos and, especially, talk. The word is that his health has plummeted in recent years and I wish nothing but the best for him. Talk about real promos and a real wrestling style. Ole wrote the book on both. He also had the book for Georgia Championship Wrestling. The July 1980 Georgia Ringsider program, featuring a shot of an irate Ole being interviewed by Gordon Solie, recently sold for $27.

*If you’re talking the south, southern wrestling and southern boys you have to be talking Michael P.S. Hayes. Wrestling’s original bad boy and the leader of The Fabulous Freebirds. (What’s your excuse?) He was wrestling’s equivalent to a southern rocker, lived the life and even lived to tell about it. He also cut a record that has been prominently featured here on the blog many times over the years. When I see a photo that appeared here in the blog show up elsewhere, it’s usually because no one else has ever written much about a particular item. Well, my original shot of the “Off The Streets” album has appeared everywhere around the globe. Accompanying this paragraph is a new one, now complete with signatures, just ready to be shared and shared and shared. A sealed copy of this infamous album recently sold for $450.

*No discussion that includes southern wrestling and music is complete without “The Mouth of the South” Jimmy Hart. The former member of The Gentry’s broke into wrestling largely because of his musical fame and found a way to bring all of his talents together. It’s hard to believe that in just a few months we’ll be celebrating the 80^th birthday of The Mouth! Even more amazing is that he’s still the hardest working man in wrestling. If you’re a fan of meeting wrestling legends and you still haven’t met Jimmy Hart, you just aren’t trying. This time we’re not looking at any of his records but rather a classic Memphis “Action Ringside” program featuring The Mouth looking very much in pain…in his Superman attire. A copy of this program recently sold for $40.

As always with our MarketWatch blog entries the prices shown are for unsigned examples despite the photos displaying otherwise. The old southern territories had a certain energy that lives on through great memorabilia like this. Like many of you in just a few days I plan on going south for the love of classic professional wrestling. It’s simply a different world and I love every second. A great southern wrestling fan, the late Peggy Lathan, once said to me, “Josh, you’re southern at heart.” I treasure those words even more than the items that you see here.

JW’s Wrestling Memorabilia Vlog Vol. 1

Not a true entry here but a bit of a “digest” of sorts for a few recent vlog entries that I’ve made as a supplement to the blog. You’ve wanted to dive a bit deeper into the classic press kits of wrestling? Look no further!

Enjoy and thanks for watching!

Hot Rod's Legacy of Memorabilia

The last time that Rowdy Roddy Piper was profiled at length in this blog was around the time of his passing. It was quite the sad time, as we had just lost Dusty Rhodes as well. Neither man is one who should be mourned long. It doesn't fit into the character of either man. Both brought countless joy to millions of people worldwide. In the case of Hot Rod, my friends and I highly rank him as one of the nicest wrestlers to meet. He may even top that list, and will likely never be replaced. Piper had a way of making any fan feel like an old friend. He was special.

Roddy Piper was at his peak of popularity (both "good" and "bad") just when the WWF marketing machine was taking off. Many remember his likeness showing up on everything from lunch boxes to trading cards, but that wasn't where the "Rowdy" memorabilia began. In addition to magazine and program covers, Piper's mug showed up on the cover of the 1983 Georgia Championship Wrestling calendar. Pictured with his broadcast colleague Gordon Solie. The feisty villain had just recently turned "good" by saving Solie from an attack by Don Muraco.

Just a few years later, Piper was making headlines on the cover of the then-fairly new official World Wrestling Federation Magazine. Though he would share the spotlight a few times in those early years with the likes of Captain Lou Albano, Cyndi Lauper, and even fellow villains Nikolai Volkoff and The Iron Sheik, my favorite "cover" moment arrived on the December 1985/January 1986 issue. An artists rendering depicts the "Hot Rod" celebrating Christmas the "Rowdy Way," complete with "Bah Humbug" t-shirt. "Ebenezer Piper," anyone?

And no one deserved their own dedicated Coliseum Video title more than the rowdy Scotsman. "Rowdy Roddy Piper's Greatest Hits" delivered exactly what it advertised. There were highlights from classic Piper's Pit segments, overviews of his biggest feuds, and of course matches. One of the most memorable moments on the video is when Rowdy Roddy Piper interviews...Rowdy Roddy Piper. It's "Hot Rod" at his heelish best. On a personal note, this was the final item that I ever had Roddy autograph.

How about action figures? There have been a load. Everyone remembers the classic LJN Wrestling Superstar figure with the cloth kilt. There are some figures such as the Winston Rock N' Wrestling eraser and the convention exclusive G.I. Joe that are stuff of collecting legend. There's even what is likely the newest figure, a Funko Mystery Mini that truly captures Roddy's spirit in its likeness. But my personal favorite may be the one that I played with the most as a child, his entry into the Hasbro WWF line. Something about it was just fun to play with, even if the figure didn't represent Roddy in his wrestling gear. Maybe it's the maniacal facial expression or the great detail on the clothing that still makes it stand out to me.

This is just a small sampling of "Hot Rod's" lasting legacy of items. You may prefer something related to his movie career or his oft-forgotten venture into music with the "I'm Your Man" release. It's all here for us to cherish forever. There's even a new book written by two of Piper's children. Although I have yet to check it out, I'm sure that it will only add more great tales and stories to the already lengthy Piper legend. And will we see more Rowdy Roddy Piper figures in the future? To quote the man himself, "You damn betcha, man!" As long as the bagpipes play on, Roddy Piper lives...

...and I bet he's still outta bubblegum.

Georgia Championship Wrestling...34 Years Ago To The Day

Often we look back on the events in wrestling's past that will never be forgotten.  The WrestleMania's, the Starrcade's, and Monday Night Raw's that will linger in the back of our minds as long as we're fans.  But what about the forgotten shows?  The shows that, for decades and decades, could be found somewhere in the world on any given night of the week.  No record of these shows may exist aside from a card rundown, results, or sometimes even less, but these are the events that kept the business going.  Before the advent of supercards and pay-per-view, these shows were where the money was made, as were the memories.

One of those very shows took place thirty-four years from the date of the publication of this article.  It was a Georgia Championship Wrestling card in Athens, GA on Thursday night, July 17, 1980.  The cover of the program at the time, the weekly Ringsider (Vol. 80 No. 14, to be exact) featured Ole Anderson in a familiar pose.  The gruff grappler is shown on the set of the Georgia Championship Wrestling television program, making a heated point as he is interviewed by Gordon Solie. 

Inside on the first page we are treated to photos and a listing of the then-current champions.  Harley Race was the (NWA) World Heavyweight Champion, while Ivan Koloff and Alexis Smirnoff held the Georgia Tag Team Championship, Tommy Rich was the National TV Champion, and Austin Idol was the Georgia Heavyweight Champion.  Promoter Paul Jones, a man often confused '60s-'80s star wrestler and manager of the same name, is pictured as is Freddie Miller.  Known for his "Beeeeee There!" catchphrase when promoting local cards on television, Miller was also the editor of The Ringsider.

A separate piece of paper is included with the rundown of the night's card.  Fans in Athens were scheduled to be treated to The Assassins versus Ole & Lars Anderson, Bob Sweetan versus Mike George, Tony Atlas versus Dennis Condrey, and Jay Strongbow versus Eddie Mansfield.  In addition to the classic NWA Wrestling logo, a special greeting is included at the bottom.  It seems that the W.F.I.A. (Wrestling Fans International Association) was in Atlanta with their annual convention at the same time that this show was held.  There is no doubt that many W.F.I.A. members attended this card.  Anyone who wanted to be as "inside" to the wrestling business as you could be at the time was a member of that organization.  Even Juanita "Sapphire" Wright belonged to the club!

Next in the program is a full-page ad where Dusty Rhodes declares that he, indeed, "can tell you about pain."  It seems that "The American Dream" was a spokesperson for Stanback Powders at the time.  Grab a boxtop, $4.95, and this filled-out coupon and you would receive a shirt just like the one that Big Dust is shown wearing.  While the shirts are assuredly long gone, a quick Google search shows that this brand of headache powders does in fact still exist.  If only Dusty's magical fro still existed, too.  Nevertheless, this is a great example of the connection with the fans that "The American Dream" had throughout his career.

The next two pages are full shots of Tommy Rich and Austin Idol, the TV and Georgia Champions, respectively.  Rich was less than a year away from the brief peak of his career when he took the NWA World Heavyweight Championship from Harley Race.  Idol would go on to make his mark in several wrestling territories, including Memphis, but never seemed to attain the level of fame and success that his talent deserved.  Looking at both men today, they certainly seem to have lived different lifestyles.  Idol looks almost identical as he did in his wrestling days, while Rich is almost unrecognizable.


Our next page is a recap of some recent tv action.  In this case, it seems that a tag team known as "The Avengers" recently appeared on the Georgia Championship Wrestling scene.  I wonder how many fans knew that these two masked bulks were actually Ole and Lars Anderson.  Apparently they unmasked in a scuffle with Koloff, Smirnoff, and manager Rock Hunter.  I guarantee that Ole's often commanding promos convinced many a fan into buying a ticket to see this feud play out.

On the last inside page, we have a half-page action shot of two men who would go on to much greater fame.  "The Boston Battler" Kevin Sullivan has Tenru in a chinlock.  The young Asian star is better known as "Tenryu" and became a legend in Japan in addition to being a well-known name here in the United States.  The second half of the page is an ad for rentals at Grove Park Apartments.  For just $125 per month, fans of GCW could rent an apartment right on 1401 Bankhead Highway, named for U.S. Senator John H. Bankhead, grandfather of the outrageous actress Tallulah Bankhead.  Apartments are still located at the address, but they no longer bear the same name nor the same low monthly rate.


We end the program with a great shot of "The Big Cat" Ernie Ladd.  Ladd would begin to wrap up his career in the 1980's, and by the middle of the decade was working behind the scenes with the WWF.  So what happened at the matches that night?  Strongbow defeated Mansfield, Atlas defeated Condrey, Sweetan defeated Mike Sharpe, and The Assassins defeated The Anderson's.  Whether or not it was actually Mike Sharpe as listed in the results or Mike George as listed on the card may forever be up in the air.  Both men were active in the territory at the time.  The results were obtained from GeorgiaWrestlingHistory.com, an invaluable tool for any fan of territorial wrestling.

I would imagine that like with many of these shows, a good time was had by all that night.  It was a time when wrestling truly was wrestling.  The stereotype of smoke-filled armories come to life.  Pro wrestling will never be like that again.  It's a different business in a different time.  But shows like these will always be the roots of the modern-day product.  In the end, it's about entering a different world for a couple of hours and letting the in-ring action take over.  That's something that, no matter the era, the industry will always provide.

From The Musty Yellowed Pages--WrestleMania XXIV Program

With just a few days remaining as of press time until WrestleMania XXX, I thought it would be in the spirit of "getting into the Mania mood" to take a look back at one of the twenty-nine previous events.  One of the first entries here on the blog covered the collectability of WrestleMania programs.  At that time, the WrestleMania XXIV program was the "newest" available (with XXV debuting a few weeks later), and back then I did not even own it.  I never could have imagined where the copy that did end up with me would emanate from.

Of the WrestleMania's of the past decade, XXIV is my second favorite.  It was my favorite of the era until my obvious bias and undying love of WrestleMania XXIX came about.  It was outdoors, it had the dramatic lighting effect that only Mother Nature can pull off, and it had several "WrestleMania moments" that have been shown time and time again.  Most of all, it had the "WrestleMania feel," something that not every show under the banner has been able to pull off.

Near the front of the program are pages dedicated to the WWE Hall of Fame Class of 2008.  WWE has taken several different directions regarding programs for WrestleMania and the Hall of Fame ceremony itself.  2008 marked the final year in which a smaller, more elegant, Hall of Fame program was produced.  In 2009, a standalone Hall of Fame program of the same size as the WrestleMania programs was available.  From 2010-on, the programs were merged into one and sold the entire weekend at Axxess, the Hall of Fame, and WrestleMania.

The particular copy shown here was acquired from the daughter and son-in-law of Gordon Solie, Pam and Robert Allyn.  The Allyn's were present at the event to honor the late "Dean of Wrestling Broadcasters" who was inducted into the Hall of Fame that year along with Eddie Graham, Jack and Jerry Brisco, Rocky Johnson, Peter Maivia, Mae Young, and "Nature Boy" Ric Flair.  The Hall took on a decidedly Floridian flavor that year, especially considering the inclusion of Graham and Solie.

Like most of the WrestleMania events of the past ten years, the title matches are actually rather forgettable.  This is due to several factors, one of which is that all of the main eventers of the time had constantly battled on pay-per-view, tv, and house shows many times before they did so on the "grandest stage of them all."  Gone were the days of true dream matches like Hogan-Warrior that were built with the slightest of pre-Mania contact.  Could these days be returning?  With more weekly content than ever it will be difficult, but at least the stories are somewhat leaning in that direction.

Another reason that the Mania title matches of this era don't quite measure up is that fans simply weren't behind the main eventers of the time as they once had been.  In a fact that's been discussed to death, WrestleMania (and WWE shows in general) began to sell solely on the brand name factor alone rather than the drawing power of select stars.  Although I have speculated that we may going back in the opposite direction with stars like Daniel Bryan, The Shield, The Wyatt Family, and even the Rhodes and Uso families, the remnants of the past "era of disinterest" is still very evident with the backlash on names like Randy Orton and Batista.

WrestleMania XXIV gets past the damning title matches with a strong undercard and some very memorable special attraction matches.  From a mainstream standpoint, it didn't get any bigger than boxer Floyd "Money" Mayweather going up against The Big Show.  Show, at the time just returning to WWE, may come out on the losing end of many of his Mania matches, but his performances are second-to-none.  Carrying a non-wrestler to an entertaining and believable match can in no way be easy, but Show did it here.  Seeing as that Mayweather is still a top grossing star and did very well in his WrestleMania appearance, it would not surprise me to see the company work with him again somewhere down the pike.

Perhaps even more memorable was the match between Flair and Shawn Michaels.  Going in, most fans realized that Flair would be losing this match, which in turn would trigger his retirement.  I can tell you from watching the show live with a mixed group of casual and regular wrestling fans, it didn't matter to anyone.  Two of the all-time greats told a story that could captivate fans on any level.  Although it didn't turn out to be Flair's final match altogether, it will ultimately be his final WWE match.

Aside from a hot opener billed as a "Belfast Brawl" between Fit Finlay and JBL, a then-WrestleMania traditional Money In The Bank match was another big highlight.  Looking back it's interesting to see what happened to the seven men involved.  The winner, CM Punk, and Chris Jericho have had many WWE highlights since, but MVP, Ken Kennedy, Carlito, Shelton Benjamin, and John Morrison all but fell into the same vacuum that other WWE mid-carders of the era did.  Sure, several have gone on to careers in TNA and Japan, but there is something about the mid-carders of the post-Attitude Era that leaves a fan wondering.  Many of them had so much talent, but they just never seemed to catch on.  Whether it was a residue effect of the aforementioned problem of no one single talent really setting the company on fire at the time or their own individual career moves and choices, we'll never really know.

This WrestleMania program is unlike many of the others in that it includes a poster highlighting the Show-Mayweather match as well as the two title matches.  This "bonus" is reminiscent of an old style wrestling event poster and helps give the title matches a bit more "oomph," although it is telling that the boxer vs wrestler match overshadows everything else.  The inclusion of a poster is very hit or miss with pay-per-view programs (several in the '94-'95 era had them as does Survivor Series 2011), so it's always a nice little extra.

In the back, we get one-page WrestleMania "capsules" profiling the previous twenty-three events.  These were a staple for several years of the large Mania programs, with one added each year.  One huge mistake somehow went unnoticed for several years with the WrestleMania III page listing and showing WrestleMania 2 celebrities Rick Schroeder, Zsa Zsa Gabor, and Elvira.  A small oversight to some, but after appearing a few years in a row, it started to become the first thing that I would turn to find.

Mania programs rarely disappoint, even if the corresponding show does.  With XXIV we had a winning show and a nice program to boot that, while not the rarest, isn't the easiest to find in the collection.  Of any niche wrestling collectors that I hear from the most, it's definitely WrestleMania program collectors.  After all, "The Greatest Sports Entertainment Extravaganza of All-Time" should have the greatest memorabilia of all-time.  What will the thirtieth edition bring us?  Time will tell.  "Laissez les bon temps rouler" may be this years tagline, but I think that the thousands of fans in the Superdome will more likely be chanting, "Sainte merde!"

The Fallout Of Fanfest 2013

Just when we all thought that it couldn't be done, Greg Price and his staff did it again.  Fanfest 2013, this past weekend in Charlotte, NC, was one of the best wrestling events that I've ever attended.  Needless to say, that covers a lot of ground.  As a collector I love the autographs and photos, but Fanfest is so much more than that.  Celebrating wrestling the way we all wish it still was, meeting new people, renewing old friendships, and just simply having a blast.  That's what Fanfest is all about, and I hope that my words here can even somewhat properly convey those feelings.

As has become tradition, Fanfest began with two Q&A sessions on Thursday evening.  The first was a celebration of the infamous Starrcade '85 "I Quit" cage match between Magnum T.A. and Tully Blanchard.  For over three hours, the two legendary NWA stars took any and all questions regarding their long running feud, the business at the time, and even how their lives intertwined beyond the ring.  Any fan of the classic Jim Crockett Promotions wrestling product will want to go out of their way to see this.  The second Q&A was yet another hilarious couple of hours with Jim Cornette.  Always controversial and uncensored, Cornette debuted a new, slimmer look in what is said to be his only wrestling-related appearance of 2013.

Friday kicked off the new addition of a wrestling training camp for up-and-coming stars of the business.  Dr. Tom Prichard along with Les Thatcher, Leilani Kai, Tully Blanchard, and Gerald Brisco instilled their knowledge to a number of hopefuls while fans were invited to view training matches.  Autograph and photo op sessions took place throughout the day and the vendor room was absolutely buzzing.  In recent years, vendor rooms at conventions have been notoriously disappointing.  Table after table of new DVDs, new action figures, and overpriced pre-signed photos have become the norm, much to the chagrin of serious collectors.  The vendor room at Fanfest 2013 was decidedly different.  Deals on great items were to be had throughout the weekend.

My two favorite tables had me stopping to chat as much as I did to shop.  New to Fanfest this year was the booth run by Pam and Robert Allyn.  You may not recognize the names, but you definitely saw them at the 2008 WWE Hall of Fame as well as WrestleMania 24.  They are the daughter and son-in-law of the late Gordon Solie.  The Allyn's are two of the nicest people that you will ever meet.  They greatly miss the late "Dean of Wrestling Broadcasters" and have much respect for the business that he thrived in for so long.  Pam and Robert had a huge number of items from Gordon's personal collection for sale at extremely reasonable prices.  They explained to me that they want the items to go to collectors that will cherish them.  With the amazingly fair pricing, I was able to add several of these treasures to my own collection.  One of these items was an authentically signed picture of the legendary wrestling broadcaster.  Pam and Robert made sure that I did not leave Fanfest without this, and I cannot thank them enough.  I'm hoping that they return to Fanfest 2014 just so that I can talk with them more!

My other favorite table is one that I always seem to leave a bit poorer albeit with a huge smile on my face.  Ever since Jim Cornette decided to downsize his own collection a few years ago, my stash has become all the better.  The Cornette's Collectibles booth was on my agenda before I even arrived at Fanfest.  This was so that I could pick up his latest book, "Rags, Paper, And Pins."  The book, co-authored with Memphis wrestling historian Mark James, is a beautifully published volume covering the merchandising of that famous territory.  Since the book will be front and center here on the blog in a few weeks, highlighted in this entry is another item from Cornette's Collectibles.  For sale was a 1962 issue of "The Rassler" program from Texas signed by the legendary Lou Thesz.  Thesz signed the program in 1978 and inscribed it to the winner of a W.F.I.A. (Wrestling Fans International Association) raffle.  Just who was the winner of that raffle?  Jim Cornette.  How could any collector pass that one up?

Friday night witnessed yet another grand Hall of Heroes banquet and ceremony.  My group was honored to have 2013 Hall of Heroes inductee Magnum T.A. at our table.  The NWA legend was gracious enough to answer and discuss any questions we had, including info regarding his unproduced Mattel action figure.  It doesn't take much to correctly guess just who asked about that!  Also honored were Les Thatcher, Danny Miller, Lars Anderson, and both The Rock & Roll Express and the Midnight Express with Jim Cornette.  It was touching to see the always boisterous Cornette choke up a bit at the honor.  In addition, it was comforting to see "Beautiful" Bobby Eaton happy and smiling the entire weekend in light of recent health issues.

Saturday saw more autographs, photos, and elbow rubbing with the stars, including some unannounced surprises.  Former WWWF Women's Tag Team Champion Princess Victoria came to Fanfest with her friend, featured guest Susan Green.  I keep in contact with both ladies, but had yet to meet Victoria in person.  I was glad to learn that the Native American Princess whose career was cut short by a neck injury is just as fun and amazing as she had been in all of our correspondence.  I was also able to acquire one of Miss Green's vintage original ring vests.  It is one beautiful item that I unveiled on our Twitter feed shortly after I picked it up

Saturday night featured a card of wrestling matches that were absolutely the best yet to be presented at Fanfest.  The match of the night may have been perennial Alabama Junior Heavyweight Champion "Action" Mike Jackson pitted against Bobby Fulton of "The Fantastics."  A highlight for many of us in the audience was Fulton's young sons taunting the crowd and doing it better than many talent that we see on tv week in and week out.  I should mention that the boys were probably between 11 and 13.  Possibly a new generation of "Fantastics" for the future?  Fulton and his sons performing "The Fargo Strut" at the end of the match was a particularly cool moment.

The main event of the evening was D'Lo Brown and D.O.C. (Festus/Luke Gallows) in a tag team match against The Rock & Roll Express.  With Tommy Young refereeing and "Rock n' Roll Is King" blaring over the sound system, 1985 had suddenly returned in the ballroom of the Charlotte University Place Hilton.  Ricky and Robert took the victory in a hard fought battle which proved that even after thirty years, rock and roll is indeed king.  The team was not shy in sharing that they had the time of their lives over Fanfest weekend, and it showed in every interaction with the fans.

Sunday wrapped things up with more signings, photos, and another trip around the vendor room for some great last minute deals.  Fans that were able to stay for the afternoon were even treated to a second live wrestling card.  Due to a very, very long ride home, it is always best for us to begin the long trek right after the final signing.  Although it was difficult to leave beautiful North Carolina, is was nice to be able to settle back and take in all of the autographs, photos, and memories once again collected at Fanfest.  It's amazing to think that all of that could be accomplished in what now feels like the blink of an eye.

Thanks to Greg Price and his crew, the 2013 edition was the smoothest run Fanfest yet.  If there were any issues, the average fan was completely oblivious to it.  Word has been around for awhile now that the 2014 Fanfest will be the last.  Does that mean that it's the last "Mid-Atlantic Fanfest?"  Does that mean that the event will be moving locations?  Perhaps it is indeed the final one altogether.  Time will tell.  What I do know is that following this weekend, I'm going to have a very hard time even considering skipping the 2014 edition.  If we could only freeze time next July 31-August 3, Fanfest could go on forever...