The 1983 Era

What a great year! No, not 2023. I don’t know anyone who had a great 2023. Forty years ago, however, I bet the sentiment was a lot different. It was 1983. What was not to like? We were just coming out of that “the first few years of a decade are part of the previous decade” time period and we were going headfirst right into the ‘80s! But in between listening to “Thriller,” going to see “Return of the Jedi” and spending time with me in my first full-calendar year on earth (now you know how old I am), you needed some great wrestling reading. As was the norm in the ‘80s, Pro Wrestling Illustrated was your answer.

Why 1983? A few reasons. First off, it was forty years ago. Not quite a half-century but a definite nice chunk of time regardless. Again, it’s just a smidge shorter than I’ve been alive. It’s a scary thought. Secondly, look at all the cool covers we got from PWI in ’83. We have a total of ten true blue Hall of Famers spread over twelve covers. A “Who’s Who” of wrestling and definitely some of the most recognizable visages ever to grace the squared circle. Not to mention that three of my top five all-time favorite wrestlers are here. Lastly is that one day, probably around a decade ago, I suddenly noticed something regarding these covers in my own collection.

I’m honestly not sure if I’d just gotten one of them signed or was just enjoying my collection, but I noticed that I was very close to having a complete signed run of the 1983 PWI lineup. At the time all ten “cover boys” were still alive and I’m thinking that I was down to three autographs necessary in order to “complete the set.” Looking at them all my best guess is that two were February (Dusty Rhodes) and July (Rick Martel). I remember specifically getting the February issue signed in one of the final times that I saw “The Dream” and it’s been quite a long time since Martel has made an appearance. Since then I’ve thought about how, while it isn’t my favorite Martel magazine cover (he has two other PWI covers that are much better), I’m glad that I ended up getting this one signed for the sake of the lineup. While he has done a private signing or two in recent years, I have not personally run into him since I had the issue signed.

I will always remember the last autograph needed for the set being Mil Mascaras on the April issue. While I’d met “The Man of 1,000 Masks” many times, for whatever reason this magazine never ended up signed. With an absolute plethora of covers from the ‘70s to choose from and loads of other merchandise, there are always plenty of autograph options when it comes to Mil. Somewhere around 2018 I finally ended up getting the issue signed and “completing the set,” as it were. I will also note that Mascaras has never been anything but gracious with me and I’ve always enjoyed my interactions with him. He’s actually a lot more personable than the self-proclaimed “world’s friendliest wrestler” who likes to complain about the match he had with Mil on TBS, but that’s another rant for another time.

In addition to the aforementioned three we’ve got another Rhodes cover as well as appearances by Ricky Steamboat, Bob Backlund, Jimmy “Superfly” Snuka, Tommy Rich (twice), Rowdy Roddy Piper, Bruno Sammartino and Harley Race. We get great representation of both the WWF and the NWA as well as their respective championship belts at the time. Someone was obviously pretty fond of armbars as the move is shown in all three of the “action shot” covers featuring Rhodes, Martel and Rich, respectively. I wonder if this choice was made on purpose? I know most will agree that the studio shot covers are the ones that really stand out here. The only thing that could make the collection even better would be if the Jerry “The King” Lawler cover from the following year had been done here instead. 

The issues themselves are still plentiful but sadly it’s no longer possible to get the set autographed yourself. With the amount that all of these men signed I’m sure that there are other copies of each signed, but who knows how many. I’d venture to guess that the studio portrait covers are more likely to be out there signed with how nice they look autograph-adorned. I’m never usually a completist on anything myself as I prefer a bit of this and a bit of that, but once I saw how close I’d gotten with this set, how could I stop then? And hey, maybe I looked into the future a bit. Maybe I knew that 2023 just wasn’t going to be all that great and that we’d need a nice, pleasant fortieth anniversary to look back on. It worked.