Showing posts with label Joyce Grable. Show all posts
Showing posts with label Joyce Grable. Show all posts

Thursday, June 1, 2017

From The Musty Yellowed Pages--Ring Wrestling, June 1977

Forty years. It's a long time no matter how you look at it. The endless video screens, blinding lights, and over-rehearsed antics of today's sports entertainment were nowhere in sight. All you had was a ring, a spotlight, maybe a curtain, and a lot of rough men and women. Was it a better time? Who's to say? Was it a great time? We have so much proof in that direction that even a fan like myself, who was still a few years away from being born, can see that. Some of that proof is in the great old magazines of the era that we so often feature. This week, it's a look at the highlights of Ring Wrestling's June 1977 issue.

The cover is a time capsule all on its own. You've got Superstar Billy Graham grappling with Bruno Sammartino. Mil Mascaras is present in one of his classic outfits. We also have Women's Tag Team Champions Vicki Williams and Joyce Grable. Joining the blonde duo is none other than Vincent J. McMahon. Yes, the famous "Vince Sr." He didn't appear on the cover of any publication too often, but here he is.

At the time of publication, Ring Wrestling was still an offshoot of "The Ring," the legendary boxing title that at one point covered wrestling as well. It was a little more serious than the Weston wrestling magazines, and also seemed to cover a wider range of the wrestling world. Legendary photographer George Napolitano was a contributing editor of the magazine. One of the cover stories, "Are Bruno Sammartino's Days Numbered?" was penned by him. I'd venture to guess that the rogues gallery of Sammartino opponents featured were photographed by Napolitano as well.

A solid feature on the history of masked wrestlers is followed by a story and pictorial chronicling the rivalry between the teams of Williams and Grable and Toni Rose and Donna Christianello. If you think the women's wrestling revolution began a few years ago, think again! These four were tearing up rings for years. I've often said that Christianello did The Fabulous Moolah's shtick better than Moolah herself. Donna also did a lot of the training at Moolah's school. Grable, despite recent health battles, still appears at many wrestling-related events while Rose enjoys retirement. Williams has long been said to have distanced herself from the industry, while Christanello sadly passed away in 2011.

Articles featuring Giant Baba, a young Randy Alls (later Randy Rose of the Midnight Express), international female stars, Nikolai Volkoff, and Harley Race are also included. Smaller points of interest are covered in "On And Around The Mat World." The Cauliflower Alley Club, which just held its annual reunion in Las Vegas, is mentioned here as a club that meets once at week and is helmed by names such as founder Mike Mazurki, Count Billy Varga, and Mildred Burke. There's also information on the Wrestling Fans International Convention (stories of which still need to be gathered in book form), and great accompanying photos of Baba, Mascaras, and "The Fabulous" Jackie Fargo. The latter is a man who sadly never seemed to get enough press in other magazines, despite his star power.

In addition to letters and the ubiquitous ratings section (featuring a full twenty men, twenty women, and twenty tag teams rated), we get two pin-ups. These aren't color or slick. These are pin-ups right on the same paper as the rest of the magazine. First up, for the ladies, we have the High Flyers themselves, Jim Brunzell and Greg Gagne. A highly underrated team, many will remember them immortalized in the Remco AWA action figure line together before Brunzell became a "Bee" and Gagne became a "Raider." For the men we have the stunning blonde Lorraine Johnson. If the face looks familiar, you may have seen her daughter once or twice about a decade later when Baby Doll took up with the likes of Tully Blanchard and Dusty Rhodes.

And how about The Great Fuji? Yep, it's the man who later became known simply as "Mr. Fuji." At the time, it seems that the devious one was wreaking havoc on Ray Stevens and Pat Patterson in San Francisco. It's striking to see how similar he looked nearly two decades later when he once again sported a shaved head. Ivan Koloff, Larry Zbyszko, and Susan Green get some good press following Fuji, and we run into yet another staple of the '70s--fan clubs. Wrestling historian Tom Burke breaks down exactly which clubs we can join and how, run by names like Mick Karch, Mickie Henson, and Ken Jugan who would all go on to be in the business themselves.

I hope that over the years you've loved peering into these printed windows of the past as much as I do. There are plenty more to come, as there are no shortage of classic (and not so classic) wrestling publications to explore. I only go through the highlights, but I know I miss hidden gems now and then. If you really want to explore these things, hop over to eBay. Many really aren't much more expensive than they originally were decades ago. And you can't put a price on a memory...


Thursday, November 27, 2014

AWA Meets The Press


Thanksgiving was a wrestling tradition long before the advent of Starrcade or Survivor Series.  Nearly every territory had a huge "Turkey Day" card, or sometimes multiple cards, each year.  What would be better than to finish up your feast and head on over to the matches?  One of those territories was Verne Gagne's AWA.  With its roots in the early days of television, by the 1980's the AWA's reach still spanned far and wide.  Although a few years away from its big tv deal with then-upstart ESPN, the AWA produced a press kit in 1982 to try and further its audience and maybe even go national before the WWF.

I'm a huge fan of the various press kits that have come out of the wrestling business over the years.  They're a largely untapped type of memorabilia as far as wrestling goes.  They could be described as almost a time capsule of wrestling in that you never know when you'll discover one and just exactly what you'll find inside.  Vince McMahon obviously had the marketing vision to produce various press kits for WrestleMania and other ventures, but who would've thought that Verne did the same a few years earlier?

Red, white, and blue were the standard pattern of colors on the well-remembered American Wrestling Association logo, and those hues carry over throughout this tri-fold folder.  To say that this AWA press kit rivaled the later WWF press kits in style wouldn't be a stretch of a statement.  The folder is handsomely printed and, in appearance, would make anyone think that AWA All-Star Wrestling was the top wrestling company in the world.  Some of the verbiage inside, however, might make help convince them otherwise.

On the inside is a mix of information obviously designed to sell the AWA to television stations.  The list of biggest wrestling crowds of all-time shows the top two most-attended cards as being at Shea Stadium and Madison Square Garden.  With the press kit listing elsewhere where AWA matches were promoted, it wouldn't be hard for a station manager to figure out that these two top cards had nothing to do with the American Wrestling Association.  Elsewhere, a "quote" attributed to a tv station manager claims that "The wrestling crowd is a spending crowd.  But then, any sports crowd is a spending crowd."  The AWA couldn't come up with a more positive sounding quote than that?

In other areas the company did a better job of self-promotion.  Of course, Mr. Gagne is pictured as are other familiar AWA office faces of the time such as Stanley Blackburn, Wally Karbo, Al DeRusha, Rodger Kent, and our own close, personal, longtime friend, Gene Okerlund.  There's even a small and interesting "ad" of sorts promoting wrestling magazines.  Shown are titles from Stanley Weston (The Wrestler), Norman Kietzer (Wrestling News), and Japan.  For some unknown reason, Sports Illustrated is pictured in the collage as well.

In the middle of the folder are several pull-out sheets.  The first is a list of "Consistent advertisers on TV wrestling."  Every type of business from wines and dog food to ice rinks and loan companies are listed.  It seems as if someone in the AWA offices grabbed a Minneapolis phone book and picked out any type of business that could be found.  Behind this list are some great photo sheets titled "Star Power in the AWA."  Most feature several wrestlers such as Hulk Hogan (in a shot as Thunderlips), Billy Robinson, Jesse Ventura, Tito Santana, The Crusher, and Baron Von Raschke.  Being the "Eighth Wonder of the World," Andre the Giant gets his own sheet all to himself.

Two other photo sheets are included, titled "When The Little People Come To Town" and "Equal Opportunity Wrestling."  These showcase midget wrestlers and female wrestlers, respectively.  The women's sheet features a great shot of Wendi Richter and Joyce Grable with the famous Fabulous Moolah-owned Ladies Tag Team Championship belts.  Wendi looks a tad heavier than in her well-remembered WWF days just a few short years later.

As mentioned above, you never quite know what you're going to find when you unearth a wrestling press kit.  Behind the pullout sheets in this one lay an original AWA one-of-a-kind.  On a folded piece of yellow legal sized paper is what appears to be the 1984, 1985, and 1986 payoff sheet for the ring announcer at the St. Paul Civic Center.  June through October of 1984 is typed out while the rest is hand written.  It is interesting to see how the payoffs went up for large shows such as holiday events and WrestleRock.  It's always cool when something that was never meant to be saved ends up materializing after being literally stuffed away.

Items like these are why I love the world of wrestling memorabilia.  Being a sort of "wild west" industry as it was even sometime after the WWF went national, you just never know what you're going to stumble upon.  No one has a complete listing of everything that's out there, and who would really want one?  It would kill the fun of collectors coming together to show what they have, and what has yet to be discovered in an old attic or basement.