An Epic Flashback To Hasbro Glory

Recently on the vlog I’ve taken a look at some new retro wrestling figure releases. I’ve been very pleased with a lot of the product that we’ve been hit with but I felt that at least one set deserved an extra bit of detail that I can give in a traditional blog review. That set ended up being one that’s full of extra bits of details itself – Epic Toys Wrestling Megastars Series 4. Formerly Chella Toys (don’t ask me the history…I don’t tune in for the drama, I just know that it cleared up), Epic has positioned itself as one of the top boutique retro figure manufacturers with a combination of quality product and dedication to getting product out without making boatloads of promises. How many others could take lessons there?

The fourth series of Wrestling Megastars brings us a much improved version of a legend from the original Hasbro line, two stars who wouldn’t have been in that line and one who by all rights SHOULD have been in that line. In order I’m speaking of Ric Flair, Barry Windham, Dr. Death Steve Williams and The Barbarian. All four are packaged in, what I first seemed as such over twenty years ago, “collector friendly packaging.” As it was explained back in the day, “collector friendly packaging” means that you can open the figure up, remove it and then replace it with no one being the wiser. No seals, stickers, horrendous clear plastic bands or anything else. It causes some controversy among collectors as to what is truly “mint” and what isn’t, but we’re not here to discuss it. My only rule is that if it has some sort of seal, even ever so small (as a few of the Mattel WWE Retro releases have), I won’t get the one that I’ve opened autographed. For figures like these, where removing the figures and replacing them causes no harm, I actually prefer to slide out the card back and just get that signed. Personal preference.

Looking at each figure individually we’ll start with The Nature Boy. If I had to pick “worst Hasbro WWF figure” I don’t think I could pick anyone but Naitch. From the use of the Rick Rude body to the awful head (when I initially saw the “Undertake ‘Em All” ad I actually thought Flair was Dino Bravo) it was easily Hasbro’s worst “effort” of the line. I think I may have “worked” him a handful of times before I went back to the great Galoob figure. Have things finally been made right? In a nice touch by Epic this figure is actually based upon his WWF run, specifically his 1991 Royal Albert Hall match against Tito Santana. A great one to seek out or watch again.

Decked out in a soft goods green robe and green trunks, Naitch is stylin’ and profilin’. Even if we wouldn’t have seen elbow movement like this in a Hasbro, everything else about the sculpt matches up. I’m mixed on so much soft goods being used in retros since Hasbro did it so sparingly but something about this robe looks like it could’ve been done back then. I think it’s actually the gold trim. I can see this figure hanging in a store in the early ‘90s and that’s the effect we want.

Next up is Steve Williams. The good doctor is also decked out in a soft goods robe and is completely covered in red and white throughout the figure as he often was. The sculpt here is even a bit “softer” than Flair and it’s right in line with Hasbro. Of course he was nowhere near the WWF in that era but we’ve long since passed just getting then-current WWF talent in this scale. A retro Terry Gordy would go absolutely amazing next to Doc.

Another who didn’t have much of a chance to be a Hasbro (they were being planned during his brief stint as The Widowmaker) but did have a great Galoob is Barry Windham. “The Lone Wolf” was one of my favorite Galoob figures and definitely one of my most used back then. He had a great pose and I can honestly see a lot of that influencing the figure here. Once again the sculpt is on point for Hasbro authenticity. I’m still undecided on how I feel about the soft goods vest and the extra “claw” hand. Hasbro definitely would’ve sculpted the vest on or left it out completely. The torso sculpt is actually so good and Hasbro-esque that if I were ever to display the figure I may not even keep the vest on. Swappable hands have never been a favorite of mine with the few retro figures that have had it but I do understand the inclusion. It’s a feature of modern figures that’s been integrated.

Last but certainly not least we have The Barbarian. It’s baffling that it’s never even been rumored that Hasbro had him in the works back then. He’s a toy…he has fur and antlers…he’s a barbarian! Epic knocked it out of the park with their Powers of Pain version and this singles effort is no different. Some are calling this “Figure of the Year.” It’s absolutely amazing that this look has never before been done as a figure. The embarrassment put out by Jakks that was completely devoid of accessories and detail does NOT count. I will say that the detail here is a bit more than Hasbro would’ve done but how can it not be excused? We’ve wanted this look as a toy for thirty-five years. Barbs has come home to The Heenan Family.

It's a great set. Any or all of these would be right at home in any retro collection. My ultimate retro “test” is if you placed the figure in question among a smattering of original Hasbro releases and showed them off to someone without a clue as to who made what. If the new figure blends right in it’s obviously good to go. I think Flair, taking all factors mentioned in his individual review into consideration, would pass best. Windham would be second if the casual observer was less savvy on real world wrestling time lines. As far as modern retro wrestling figures go there isn’t a loser in the bunch.

As mentioned earlier I’ve done some quick reviews of some other recent retro releases on the vlog so be sure to check them out here.That platform has admittedly become my focus these days but I appreciate any and all who still come here to the blog for the occasional read. It keeps me going in all forms of coverage any time that I hear someone say that they’ve enjoyed any of my content. As always…thank you! And as I also always like to think, the best is yet to come!

Do YOU Have What It Takes To Make It In The Universal Wrestling Federation?

I don’t like to discuss “grails.” I really don’t even like to have them. You have what you have and whatever is meant to find its way to you ultimately will. If you do have collecting grails, don’t broadcast them. People can and will see dollar signs. Never put yourself in that position. Lastly, be happy with what you’ve got. I see too many people who I deem “accumulators” rather than collectors. Accumulators just sort of suck things in, look at them once, brag to deaf ears, and then cast them aside. There’s no appreciation. I’m not saying that you need to have a museum in your home, Lord knows I don’t, but if there’s something in your collection that you don’t ever think about, do you really need it? Food for thought. That being said, if there’s something that I’ve been after for a period of time that, in a way, could be considered a grail for me, it’s part of what we’re looking at right here.

Looking back as we see it now it’s hard to think that Bill Watts’ UWF would have had a training center. It’s even harder to believe that he would’ve had a full color, well-designed piece of promotional material produced for it. He did. I first found out about this brochure of sorts about two or three years ago. Someone offered one at auction for a very low price. I was the only bidder. A few days later the seller told me that he had lost the item. I was never sold on that claim. To this day I think that someone else made him an offer that he couldn’t refuse. The ultimate low. Regardless, I kept my eyes open. Not only was I able to get one for around three bucks more, but this one seems to be complete with four additional items. Normally I’d say that the brochure is the centerpiece, but I’m a sucker for official envelopes from wrestling promotions.

Emblazoned on that large envelope is the familiar Universal Wrestling Federation logo. Post mark? May 1987. Someone, presumably the wrestling hopeful who was the original recipient of this package, wrote addresses for the World Wrestling Federation and Joe Pedicino’s Pro Wrestling This Week television show right on the front. He definitely had his bases covered. Speaking of covered, I blocked out the name in photos but I can assure you that the original addressee is no one that we’re familiar with. Per the envelope The UWF Training Center was based in Dallas, Texas. Materials inside indicate that Ken Mantell was the trainer. Aside from print ads which were advertising sending away for this particular kit, there isn’t any info out there about the training center besides what you will see here.

The brochure itself is the size of a wrestling program and is really well produced. The cover, which opens in the center, is full of photos and “quotes” from UWF talent such as Dr. Death Steve Williams, Missy Hyatt, Michael P.S. Hayes, Skandor Akbar, Iceman King Parsons and, my favorite, the lovely Sunshine. Next to Missy there’s even a youngster who I think, 36 years later, is just about to wrap up his career. Some fella with a painted face named Sting. Inside we get an overview of what the UWF Training Center can offer you. Yes, you, the next possible star wrestler, manager, valet, referee or announcer. The “Manager of the Future” photo with the cut out face (leaving room for YOU!) is definitely Bruce Prichard. The thing doesn’t really break kayfabe, but it’s still surprising to see such material come from a Bill Watts endeavor.

$2500.00 (not including room and board) were your total training expenses. Were you up for that challenge? Did you have what it took to make it in the UWF? Well, before this information kit was even postmarked the company had already been sold to Jim Crockett Promotions. I wonder if anything surrounding this training center even got off of the ground? Perhaps it became something else? Three additional bulletins that were included indicate that a new UWF television program was in the works, to debut in June, which would highlight all the young hopefuls of the training center. While I’m sure such a show wouldn’t have broken kayfabe in the style of Tough Enough, it’s intriguing to think just what it may have looked like.

What made this so appealing to me? Promotional items from wrestling have always been intriguing. Despite it being 1987, the wrestling world was still very “wild west” as far as ideas and what made it and what didn’t. Even WWF promotional items from that time are largely uncatalogued outside of what you see in this blog. Unlike other sports which were very organized by that point, wrestling was basically a band of untethered idea men. Types of people who have a lot concepts and grandiose notions floating around in their heads, but ultimately only the ones that “hit big” are remembered. Obviously, this is not one of those. Long before the WCW Power Plant, the WWE Performance Center and even Ohio Valley Wrestling, there was about to be the UWF Training Center. I guess if we can be thankful for anything it’s that it wasn’t Herb Abrams’ UWF trying to train folks.

“Herbie cookie break at 3! Bring your spoon.”

From The Musty Yellowed Pages--UWF Beach Brawl 1991 Program

Maybe Herbie did have a use for all of that baby oil three decades ago. No, it wasn't another late night at the office. It was UWF Beach Brawl! We've all heard the stories of Herb Abrams and his ill-fated venture into the sport of kings. He didn't want to just be competition for the World Wrestling Federation, he wanted to be bigger than the Stamford-based company had ever been! TV shows! Pay-per-view! Andre the Giant! Cookies! While some of that did actually happen (do we have evidence that any cookies were ever produced/sold?), three decades later we know the ultimate fate of the man and the company. But one tangible product still exists and today we're looking at it: the UWF Beach Brawl 1991 program!

While there are hats, video tapes and a few other programs floating around (does ANYONE have evidence of those damned cookies?), the Beach Brawl program is my favorite bit of Herbie's UWF memorabilia that is out there. It isn't so much what it looks like, though it does boast a colorful cover and plenty of photos inside. It isn't even that I am an avid collector of programs like many of you reading this. I never sought it out. I believe I picked it up relatively cheap in the last decade. What's really been a blast about owning this thing are the reactions that it gets from the wrestlers signing it.

"I didn't even show up," recalled Don "Magnificent" Muraco as he became the first to sign it. He was correct, he did not show up for his match with Terry "Bam Bam" Gordy, but he is featured in the publication. The infamous Johnny Ace ended up subbing for The Magnificent One. Brian Blair and Jim Brunzell got a great chuckle when recalling working for Herb Abrams as "Masked Confusion" as opposed to their WWF "Killer Bees" personas. Even Mick Foley, the most recent to sign it, marveled at it and recalled Muraco not actually working the event.

The program itself isn't too remarkable and certainly nothing compared to what the WWF was doing with programs or even WCW when they would manage to squeak one out. It certainly isn't cheaply made like a mimeographed independent show program of the era, but color on the inside definitely could've made it stand out a bit more.

Despite not winning on this particular show, Candi Devine still has the UWF Women's Championship belt in her possession and gladly brings it to autograph signings and appearances. The still-popular Rockin' Robin was the winner here and has her original WWF Women's Championship. Where's the fanfest promoter who will book these two ladies with Alundra "Madusa" Blayze (who, of course, still has the 1993-1995 WWF Women's Championship) and brings them all together for a special photo op? 

Speaking of things for wrestling fans to spend money on, Herb of course loaded the program with opportunities to order UWF apparel and other merchandise. Again, we know that hats and videotapes exist. The "Bruno book" offered would be the first printing of his autobiography that was released around that time. It is interesting to think that a man who built himself on honesty such as Bruno Sammartino would be taken in by a guy like Herb. It's my feeling that Bruno was so anxious to stick it to the WWF at that point that he was willing to go with whoever was trying to create opposition.

Speaking of Herb, one of the last pages in the book is fully dedicated to him and offers a bio that he most-assuredly penned himself. Perhaps the one truism on the page is the feeling that Bruno and Captain Lou Albano being part of the UWF lent credibility. While the promotion ultimately ended up with zero credibility to speak of, it is reasonable to think that some at the time may have thought that the inclusion of such names would in fact mean that there was promise in the company and that would attract both sponsors and fans. 

There's really little joy in rewatching anything that was produced by the company. It isn't like a WWF or WCW show from the era where nostalgia hits you at every corner. You can tell by the performances that much of the talent was there for a payday and nothing more. Still, others worked hard and tried to make something of it. I'll leave it to you to decide which names fall under which category. It is worth seeking out at least some of the footage for the sake of history, especially if you watched the Herb Abrams documentary produced awhile back. It's also interesting to see Andre the Giant in his brief appearance. I'm sure he just wanted to hang out with his old friends.

If anything it can serve as a warning. You don't want to end up like Herb Abrams. He tried to warn you right in this very program...

Revisiting The Danger Zone...

After years and years of collecting this stuff, it's come to an interesting head. Nowadays, it's the more bizarre and wacky the better as far as items that I like to add to my collection. Seeing as how bizarre and wacky wrestling can get at times, it's no surprise that many items exist that reflect those words. That's probably why many of the items that were put out by Jim Crockett Promotions in the 1980's really appeal to me. JCP loved producing shirts and bandanas but didn't always seem to understand their target demographic. That's where the 1988 Danger Zone Calendar comes into the picture.

Many remember the classic commercial that played at the beginning of the Turner Home Video wrestling cassette releases as well as on television. Starrcade and Great American Bash videos, complete with Jim Cornette's famous scaffold bump, were pushed to no end. In addition to those event tapes, a compilation known as The Danger Zone was offered. As an extra bonus, fans were given a special 1988 Danger Zone swimsuit calendar with their order. The sizzling shot of a bikini-clad Missy Hyatt on the cover may have drawn in many male fans, but the inside probably made very few bedroom walls.

You see, aside from Missy Hyatt and Precious, the swimsuit calendar was filled with the male stars of NWA Wrestling. This favored many female and maybe even some male fans, but the majority of NWA viewers were probably less than pleased. In all honesty, the calendar is well-produced and rivaled any calendar that the WWF released at the time as far as quality. It's full-sized, has a fantastic glossy cover, and even promotes the aforementioned Turner Home Video releases on the back. It's just...full of gents.

Looking at it from another angle, it does reflect the large amount of talent that filled the company at the time, shortly after Crockett's buyout of the Universal Wrestling Federation. One wonders why some other female talent who either had been or were affiliated with Jim Crockett Promotions at the time weren't contacted to be part of it. Certainly the male-to-female ratio could have been evened up a bit with a little bit of Dark Journey or Misty Blue Simmes. Why it ended up the way that it did was anyone's guess. Perhaps they were just looking to offer "something for everyone."

Nevertheless, female fans of Shane Douglas, The New Breed, "Sweet" Stan Lane, Michael P.S. Hayes, "Hotstuff" Eddie Gilbert, "Gorgeous" Jimmy Garvin, Terry Taylor, Barry Windham, Mike Rotundo, Sting, and "Dr. Death" Steve Williams had to be satisfied. Those looking for Animal, Hawk, Arn Anderson, and JJ Dillion were disappointed. It's just one of those things. In fact, it's one of those bizarre and wacky things in the world of wrestling memorabilia that I wouldn't change for the world...aside for maybe a shot of Baby Doll and the envelope.