The Year of The Liger

I remember the first time that I saw Jushin Thunder Liger. Like many of you, it was during his first WCW run circa 1992. What moves! What a cool outfit! And maybe the greatest wrestling mask of all-time? He was unlike any other wrestler from any country. Charisma without ever seeing a single facial expression nor hearing a promo. Liger was, and is, something special. Like a few other foreign stars, I always felt that he deserved a modern day action figure. The Japanese wrestling figures made by various companies nearly twenty years ago have appeared on this blog many times, but an update for Liger was long overdue. Here it is.

As most fans know, Jushin Liger retired this past January. After a long career covering multiple decades and wrestling in nearly every promotion in the world, Liger's retirement is well-deserved. I would've liked to have seen a surprise entry in the 2020 Royal Rumble, but it wasn't meant to be. What we did get is a WWE Hall of Fame induction and a brand new action figure. The figure is produced by Storm Collectibles, a company that makes action figures for many Japanese-born properties but came to the attention of wrestling fans just a few years ago with a Hulk Hogan line.

Liger comes packaged in a window box, clad in entrance gear, and with a plethora of hands to choose from. Hands for use with various poses are a common trend in action figures these days, most notably to the readers of this blog with Mattel's WWE figures. Like with those figures, it's my opinion that hands floating around detract from the carded/boxed aesthetic of collecting. Though with a figure this great looking, who's keeping it boxed? The die-cut aspects of the box are well done and the packaging itself definitely makes it look like more of a Japanese product than something released domestically. It's also always fun to see the perpetually cool New Japan Pro Wrestling logo on a package.

As for the figure itself, I don't know if it gets any better than this. The sculpt is perfect. While some will argue that it's easier to capture the look of a mask than a face as far as a facial sculpt goes, who cares? This one is dead-on from the horns to the mesh on the eyes to the classic flow of the hair. The design of the bodysuit flows from front to back and is painted in the most recognizable Liger colors, red and white with black and gold trim. As of the time that this is being written there are two other color variants being produced, but most fans will want this version. The entrance gear is fairly easy to remove and replace (you have to bend the "hair" out of the way, but nothing extreme) and the soft goods cape has some light wiring inside for posing purposes.

The biggest question since this release was announced is how well it matches up to figures from other producers, specifically in scale. The most obvious question is how it will look with the Mattel Flashback Brian Pillman, considering the two had some mind-blowing matches over the years. If you're planning on buying this figure, find yourself a Pillman. I'll let that and an accompanying photo tell the story. Some may be turned off by the high price point on this figure, but at least that's the retail price and it's easily available for purchase. The same cannot be said for figures from another manufacturers where collectors are paying similar prices for items that retail for less than half, but I'll leave that argument for another day.

If I had any critiques they would lie in two small areas. The upper torso is produced in a much thinner plastic than the rest of the figure. This is for easier, more realistic posing. I only bring this up as I could see wear occurring with the figure if it were put up to heavy play should it be given to a youngster. The other small negative is that the paint, aside from that on the head, isn't quite as crisp and shiny as on other figures. It isn't bad by any stretch, it just doesn't quite pop like you may expect.

Fellow Liger fans, our wishes have been granted. It fits in with virtually any other wrestling figure line of the past twenty years and also looks great on its own. We may not have gotten that aforementioned Rumble appearance, but this figure more than makes up for it. Collectors are clamoring for more wrestlers from Storm Collectibles and I must say that I'm fully on board. They aren't the cheapest, but I feel fully satisfied with what I paid in terms of both quality and the ability to easily obtain the figure. Collecting isn't a fun "hunt" for people with real lives. Simplify and show me the means of obtaining the item and my business you will have. Make it a super-high quality item and you've done one better. This ticks both boxes.

Starrcade Was Turning Japanese

When you think of "The Granddaddy Of Em All," Starrcade, you think of huge NWA supercards held in November or December.  Japan, The Tokyo Dome, or the month of March usually aren't in the equation, unless you're thinking back to 1991.  Ric Flair was still holding "Big Gold," WCW had just broken away from the NWA, and stars such as Sting, Lex Luger, and The Steiner Brothers were at the top of the card. An alliance between WCW and New Japan Pro Wrestling was born, thus creating the first Starrcade '91, or WCW Japan SuperShow as it was known here in the United States.

It was a star-studded card headlined by Flair defending the championship against Tatsumi Fujinami.  It was this match that led to the main event of the first WCW SuperBrawl event a few months later.  At the time, WCW seemed to be trying to position SuperBrawl against WrestleMania and replace Starrcade as its biggest yearly event.  I've always felt that, despite respect from a wrestling standpoint, the Flair-Fujinami rematch wasn't the main event to use to build a new supershow, but that's another argument for another time.

Although WCW was gone from the practice of event-specific programs, NJPW produced an amazing looking publication that was sold at the Tokyo Dome.  It is an oversized glossy program in the style that the WWF would not adopt for a few years.  Perhaps as a reflection in the advancement in photography by the Japanese, wrestling publications from their country almost always have a modern look and feel that holds up today.

Kicking off the program is a proclamation from James (Jim) Herd.  It is presented in both Japanese and broken English.  For those of you that have heard Jim Cornette rant about the former WCW Vice President, you can only imagine what the "Louisville Lip" would make of this. This is the WCW side of the program, and traditionally the "American" side.  Publications in Japan are generally read in what Americans would consider a "backwards" format, due to how their language is printed.  The other side of this program has a NJPW logo cover and contains opening statements from their officials at the time as well as their own rundown of the card.

To say that the card was star-studded is almost an understatement.  The top WCW and NJPW talent of the day is featured as well as men like Big Van Vader and Bam Bam Bigelow who competed regularly on both continents.  Sting battled his longtime rival The Great Muta in a match that would make any classics list, while El Gigante took on "Big Cat" Hughes probably to appease Japanese wrestling fans longtime fascination with "big man" wrestlers. 

WCW merchandise from the era is shown several times throughout, including the Wrestling Wrap-Up magazine and many now-collectible shirts.  One page displays merchandise made exclusively for this Starrcade In Japan event.  A pair of what appear to be pre-paid phone cards are particularly interesting looking.  T-shirts and even a beach towel were offered, but the crown jewel has to be the shiny silver Starrcade In Japan jacket.  With Ribera Steakhouse jackets becoming more and more common among Japanese wrestling lore, I would imagine that this jacket would be considerably rarer.  There's a treasure for puroresu collectors to hunt!

Interestingly, the ads are not limited to wrestling related goods.  Full page ads appear several times throughout the program for liquor, food, and other items.  Japanese ads often appeared quirky to Americans back in those days, as was often lampooned by shows like The Simpsons.  If you haven't sought out commercials featuring Hulk Hogan singing or Abdullah the Butcher frolicking on a beach with a young Japanese girl, you truly need to.  Nonetheless, in this program we see a rather creepy ad featuring a robot holding a baby in a wooded area, and girls dressed as Geisha advertising what is probably a ramen-style soup.

Although three of these SuperShows (all labeled Starrcade in Japan) were produced altogether and eventually sold in the United States on pay-per-view, this 1991 event is the only one to be released on VHS.  It was released as "Rumble In The Rising Sun" and appeared in many rental stores at the time.  All three would definitely be great additions to WWE Network, especially since "all" pay-per-views are supposed to be included.  So while these events aren't included in the regular Starrcade chronology, all are interesting footnotes in the history of both WCW and NJPW.

Wrestling Figures From The Land Of The Rising Sun

A silent crowd, polite applause, perhaps a few crepe paper streamers, and some of the best in-ring action you'll ever see.  These were the glory days of puroresu aka professional wrestling in Japan.  Antonio Inoki, Giant Baba, Mitsuharu Misawa, Tiger Mask, and even domestically known names like Stan Hansen, Andre the Giant, The Funk's, and Abdullah the Butcher dominated Japanese culture for years perhaps even more than the country's other sports and entertainment icons.

It's actually quite unimaginable in the United States as to just how big professional wrestling and its stars were in the Land of the Rising Sun.  While domestic wrestling has always had niche fans and "boom" periods of fad popularity, wrestling in Japan enjoyed mainstream popularity and coverage for several decades.

That is, of course, where the memorabilia comes into the picture.

Not only was Japan the birthplace of many gimmicks, moves, angles, and ideas in pro wrestling, but it was also the home country to the very first wrestling action figures.  A company called Popy, also manufacturer of the Tiger Mask action figure line (based on the cartoon from which the Tiger Mask character was born), created a small line of wrestling figures in the early 1980's.  This series, including Inoki, Andre, Hulk Hogan, and Harley Race among others, is very hard to find and valued highly to this day.

In the 1990's when the Japanese in-ring product was often regarded as the best in the world, several lines of quality figures began being produced.  Every promotion of the time including New Japan Pro Wrestling, All Japan Pro Wrestling, Pro Wrestling NOAH and others got into the act with figures produced by a wide variety of companies such as Hyper Heroes, HAO, Character Product, and more.

Although figures were produced in several different sizes, the most popular would likely be the five inch figures which were made under each company's banner.  As much as the Jakks Classic Superstars line should be celebrated for including stars from so many different eras, these five inch Japanese figures cover eras, companies, and countries with stars ranging from Mil Mascaras and the Funk's to Jushin Liger and Ultimo Dragon.  Special outfits, accessories, and other "deluxe" features were included with many of the figures while others commemorated special matches or events based on their design.  Ring announcers, referees, managers, and even a pair of ring girls known as the "Break Bunnies" were produced into figures along with rings, belts, and even ring accessories such as barbed wire and (plastic) flames!

Nearly all of the five inch figures included a universal feature: removable arms.  For some of the figures this fact made no difference at all.  For others, like Jinsei Shinzaki/Hakushi, two pairs of arms were included with the figure to create different poses.  Others yet, like Satoru Sayama, included a different torso to transform the popular light heavyweight into his guise as the original Tiger Mask.

These figures hit the height of their popularity in the early 2000's which was a time when MMA was heavily crossing over with pro wrestling in Japan.  Many MMA figures were produced in the country by the same manufacturers and collections often include figures from both, especially of those who starred in both sports.  One notable example would be American "The Beast" Bob Sapp who was one of the biggest cultural stars in Japan at the time.

American collectors often wonder just how these figures measure up in size compared to popular lines from their country.  The main five inch Japanese figures fit perfectly with the Hasbro WWF and Galoob WCW lines making many dream matches...or displays...possible.

Of course the five inch figures were just one style.  Large figures, small figures, "big head" figures, and even 3 3/4 inch G.I. Joe-esque figures were released of stars from across the span of puroresu.  While some may argue that many of these pieces were more statues than figures, the attention to detail and quality craftsmanship place these at the top of any collection.

One interesting thing that I have come across in collecting Japanese figures is the reactions of the stars when seeing these pieces.  Dory Funk Jr. and Scott Norton were unaware that figures of themselves even existed.  Although the individual licensing rights are listed on the bottom of the back of the cards of many of the figures, perhaps the rights were attained in deals that the stars themselves were unaware of.

Over the past couple of years the figures have unfortunately ceased production.  With the popularity of wrestling on the decline in Japan, this did not come as much of a surprise.  When Jakks conceived their TNA line follow-up to the WWE Classic Superstars line, rights to New Japan Pro Wrestling figures were acquired.  The NJPW version of Hulk Hogan was ultimately the only figure to come from this deal, but at least the NJPW logo was included on the packaging.

As in America, action figures were just a tip of the iceberg as far as wrestling merchandise in Japan.  Publications chronicling wrestling far surpass those in other countries due to the aforementioned mainstream appreciation that the sport achieved there.  From newspaper coverage to the famous Weekly Gong magazine, Japanese wrestling publications are abundant and a lot of fun to collect.  Many of the magazines include coverage of American wrestling as well, often providing a different look at events well known to many of us.

Video games, trading cards, plush toys, and of course tons of recorded media are all just as treasured in puroresu collecting as action figures.  VHS tapes of Japanese wrestling shows were among the top traded wrestling shows of the 1990's due to quality of matches and talent involved.  Games like Fire Pro Wrestling are often considered the best wrestling video games which, like the action figure lines, included stars from a wide spectrum.

When it comes down to it, the figures remain king.  Prices for almost all of the figures have risen since their initial release and continue to be discovered by new collectors.  At the height of their release, some online stores would take pre-orders for some of the figures due to the process of importing the items.  While the prices were higher than domestic equivalents even then, in retrospect they seem rather low compared to the secondary market numbers now.

Here is only a small sample of this great, and often overlooked, aspect of wrestling action figure collecting.  I'm sure that we'll revisit the topic in the future on the blog, and to see many more of these figures and loads of other great memorabilia, "Like" and check out the galleries on our Facebook Fanpage.

Ichiban!