From The Musty Yellowed Pages--Memphis Action Ringside Program 11/9/1977

Just like the existing promotions of today, each wrestling territory had its own flavor. I’ve always considered myself a lucky wrestling fan in that I can really find something to like in any style of the sport we love. Watching classic wrestling I can flip from show to show, promotion to promotion, style to style without a second thought. One area that has always stood out to me was Memphis. It was almost the perfect blend. You had great stars, a wild fanbase, hard-hitting wrestling and even a solid dose of what we would now call “sports entertainment.” Some of the content may not have held up as is the case in many other promotions, yet simultaneously a lot of the product was ahead of its time. I’ve also been very fortunate to have met many of the key players from the glory days of the promotion. Jerry Lawler, Jackie Fargo, Lance Russell, Jerry Jarrett. The list goes on and on. Now, if you want a true history lesson in Memphis wrestling you’ll take some advice that I’ve given before on this blog and head over to MarkJamesBooks.com. In addition to being a great guy (and Hall of Famer!), Mark is the absolute authority on Memphis and its many wrestling greats. In fact, he has co-authored many of their autobiographies!

Today we’re going more for some fun nostalgia than a history lesson. There were various types of programs published by the Memphis promotion over the years from the digest-sized “Slam-O-Gram” to the “Action Ringside” programs. It’s an example of the latter that we’re paging through here. On the Action Ringside covers you’ll often see one of the iconic names of the promotion in a black and white photo. On this example we have Jerry Lawler, Jimmy Valiant, Superstar Bill Dundee, Norvell Austin, Dennis Condrey and Phil Hickerson. The date? Nearly forty-five years ago on November 9, 1977. The location? Evansville, IN. Always the trooper, it appears that The King was doing double-duty in our huge Double Main Event. One match was slated to be Lawler and Dundee taking on Jimmy and Johnny Valiant while Lawler would also team with Norvell Austin to go against Phil Hickerson and Dennis Condrey. Midnight Express fans would take interest in the latter as the match features pioneering members of the team on opposing sides. The card was also set to feature The Great Mephisto against Scott Casey, Mr. Wrestling against Ken Dillenger and Terry Gordie against David Shultz. The spelling was a bit off but that last listed match obviously features Terry “Bam Bam” Gordy (at just sixteen years of age) against “Dr. D” David Schultz. If that was an opener you get the feeling that it did its job in getting the crowd going. 

This is one of the thinner Memphis programs that I’ve come across. Really it’s a total of six pages if you include the front and back cover. Still, the promotion smartly used every bit of space on each page. Interestingly, the program only advertises and promotes the wrestling stars, shows and other inter-promotional interests. There aren’t any ads for local sponsors such as restaurants, retail stores or insurance agencies as you’d often see in other territorial programs. The Jarrett-Welch promotion wanted to promote one thing: wrestling. It certainly shows here. I’d definitely be interested in locating some of the materials from the Dundee-Lawler Fan Club that is advertised. If the quality of the membership card was anything like that of Jimmy Valiant’s (which is almost vinyl and still shines), there very well could be some sitting around in a dusty Tennessee attic. The other Samoan tag team of the ‘70s, Tio and Tapu, are shown here as well. 

The next two pages are chalk full of photos and interesting bits. David “Shultz” is shown along with Mike Stark. The duo was said to be forming a team. Territorial wrestler Bill Howard is shown as “Ratamyas.” Most interesting is the half-page ad announcing that The Gentry’s would be “coming here soon” in concert with special guest Jerry Lawler. It isn’t truly clear if they’d be coming to Evansville or not, but we all know where this would end up. As prominently shown, Jimmy Hart was a member of the group best remembered for their hit “Keep On Dancin.” The rest is history. At nearly 80, Jimmy Hart is still one of the hardest working men in pro wrestling. He makes countless appearances and in addition to being one of the nicest people in the business always makes sure that fans walk away with a smile on their face. He’s gotten a huge kick out of the many Memphis items that I’ve brought to signings over the years. I could definitely do several entries just on “The Merchandise of The Mouth,” and in fact I already have. We finish off this section with the written word of “Kangaroo” Al Costello seemingly telling us that wrestlers are not bigoted. Costello managed the team of Condrey and Hickerson on this night. 

We close the book with a photographic look at four “Fan Favorites” as the page proudly proclaims. Fresh-faced youngsters are featured, to be sure. We’ve got Scott Casey, Bill Dundee, Robert Gibson and our teenaged sensation Terry Gordie. Dundee, likely the oldest of the bunch here in his 30s, definitely looks to be channeling Elvis here as he often did, just months after the passing of “The King of Rock n’ Roll.” Robert Gibson, mustache and all, is definitely doing his best to be the number one heartthrob in the territory here, years before The Rock N’ Roll Express would be born in this exact promotion. Casey is mainly remembered for his work in Texas and his WWF run (highlighted by his 1988 Survivor Series appearance) but he’s missing his familiar mustache here. Perhaps Gibson borrowed it? Last but not least we have the man who would become a Freebird in a few years. Honestly, he looks like a thicker Bryan Danielson here! Terry Gordy was a young prodigy of the mat game, for sure. 

It appears that Lawler and Dundee bested The Valiant Brothers that night while Lawler and Austin lost to Hickerson and Condrey. It also seems that Schultz did double duty just like Lawler and defeated both Scott Casey and Terry Gordy, individually. Finally, Mr. Wrestling beat Ken Dillenger. From anything that I could find it seems that this was indeed Tim Woods under the mask. You can never be too careful with identities in these “wild west” days of a notoriously carny industry. These results (and the substitution) are all what was noted by the original fan who owned this program, so it may not be spot on. Sounds like a fun show, though! Where do I buy my ticket?

George "The Animal" Steele Would Have A Ball With These...

This past year brought a lot of unique items and situations. This entry covers both. You know you saw the ads for them and probably continue to do so. Virtual signings! Virtual meet and greets! Virtual conventions! Concepts that sound like something out of an odd future became real out of necessity. After all, promoters and celebrities need to make money somehow. While I cannot say that I partook in much of that (I may have fired off a few items to be signed, just in case), a new series of collectibles caught my eye. The Highspots Turnbuckle Collection.

No, I don't think that they've actually given it that swank sounding title, but they may as well steal it from me. It takes a lot for me to latch onto something like this, but I got caught hook, line and sinker. Ranging in price from $75 to $109 per item, Highspots began offering official turnbuckles representing talent that they've had in for their virtual signings. Highspots has made turnbuckles and even full rings for countless promotions over the years, so these are actually real, quality made corner pads. 

What caught my eye at first were that some of the pads featured artistic representations of the classic Hasbro WWF figures. I'd venture to guess that they are colorized versions of the drawings on the card backs. Others, such as The Iron Sheik, feature a fictional Hasbro-style figure drawing. I have a feeling that the Mattel Retro figures weren't used in fear of legal issues. Figure drawing or not, the turnbuckles have all featured a logo proclaiming either the talent's name or a quote or symbol representing them. How can your eye not be caught by the classic figure of "The Dragon" on a bright red turnbuckle? Talk about conversation pieces.

The turnbuckles are obviously not folded as they would be if attached to a post and ropes, so there is a lot of room for the wrestler(s) to sign. How cool is it to see the Million Dollar Man and I.R.S. figures flanking a symbol very close to the one used for Money Inc. back in the WWF days? What about "Boogie Woogie Man" Jimmy Valiant's classic profile and a nod to his "Boy From New York City" theme? That is not to say that all of these have been a home run in my view. I can't say that I've known many of the indy talent names that have received one. Nevertheless, even those ones have seemed to sell well.

One that particularly stands out is the turnbuckle that Highspots produced for a private signing with "Fabulous Freebird" Michael P.S. Hayes. Though I was initially hoping for a "Badstreet" logo turnbuckle, the one that they did offer came out great. The design represents both Hayes and the "Badstreet USA" theme music in a style made to resemble the famous Jack Daniels label. On top of that, extra effort was put into the materials. While the others that I own seem to be done with a screen printing process, this Hayes/Badstreet turnbuckle is actually embroidered. 

If I still did my "Future Holy Grail" award at the end of the year, these would be a no-brainer. Once they sell out, they're gone. While a few early ones made it to the regular Highspots commerce site for a spell (I was able to get The Iron Sheik at Black Friday pricing in November), most sell out before the signing even takes place. Seeing as that these aren't truly licensed, I would consider them more of a high-end art piece. But do you really need to worry about licensing when they're "endorsed" in bold Sharpie or paint pen right by the wrestlers themselves? I'm not.

I told myself I was only buying Steamboat. Now I'm not far off from having enough to build a ring...

WWWF Wrestling Action #4

For the fourth issue of WWWF Wrestling Action, tag teams take center stage. The Tag Team Championship struggle between The Valiant Brothers (with manager Captain Lou Albano) and the fan favorite team of Larry Zbyszko and Tony Garea is artistically depicted. The white and yellow "burst" behind the wrestlers really makes this cover pop, as does the large tag team belt that corrals the teams. I can still recall the joy on Albano's face when he was signing this issue and holding it up for other wrestlers seated nearby to see. In addition to the featured stars, I had referee Dick Woehrle sign the cover and Greg Valentine autograph an interior shot.

Starting out, we learn that the previous issue had completely sold out. Back issues of #1 and #2 were still available at just $2.50 a copy. Again, I will gladly take a dozen of each. Arnold Skaaland gets the "As I See It!" column and the features kick off with a look at a man completely missing from issue #3, Bruno Sammartino. The Living Legend had returned--with his infamous afro. The cover story follows, featuring Zbyszko (grossly misspelled "Zybscko") and Garea on their championship win against the Yukon Lumberjacks and new struggle with Jimmy and Johnny Valiant.

Hisashi Shinma becoming the new World Wide Wrestling Federation president and a bit on Ivan Putski precede a story on The Grand Wizard leading Greg Valentine to the WWWF Championship. Valentine was always one of Bob Backlund's quality challengers. Had Backlund needed to drop the title even briefly at some point during his long-planned run, Valentine would have been a great option as champion, even temporarily.

Next up is a great shot and brief story on WWE Hall of Famer Tatsumi Fujinami. At the time, Fujinami was the WWWF Junior Heavyweight Champion. That title and belt is one of the least remembered championships in the history of the company, largely being contested outside of the United States for the majority of its run. Fans of 1990's Japanese wrestling will remember the belt being given to the winner of the 1994 Super J Cup tournament. The belt even featured into advertising for the event.

In the centerfold we have the "passing of the torch" that the WWWF so desperately wanted at the time, a handshake meeting between Bruno Sammartino and Bob Backlund. While Backlund undoubtedly carved out his own legacy in wrestling and as WWWF Champion, he never filled the boots of "The Living Legend." Looking back in hindsight, both men stand side by side for their contributions to the WWWF and the industry itself just as they do pictured here.

High Chief Peter Maivia makes his return to Wrestling Action, this time
in a very different position than back in the debut issue. Maivia is now a rule breaker managed by Fred Blassie. The High Chief is shown, donning his villainous mustache, squeezing the life out of foes such as Bob Backlund and Chief Jay Strongbow. Heels also dominate the next few pages when Albano and The Valiant Brothers receive their own article touting their recent WWWF return.

It's here that we see photos that were used as inspiration for the drawings on the cover. Zbyszko and Garea's cover poses can also be found as photos inside of this issue. As we've seen by now, virtually all of the cover drawing reference pictures are inside the Wrestling Action issues themselves. Also here is a great shot of Jimmy Valiant perusing the debut issue of Wrestling Action in what looks to be a hotel room. Today's wrestlers return to the hotel to play video games. In the '70s, they retired to their rooms with a copy of Wrestling Action. No alcohol or debauchery whatsoever in either generation.

The fourth issue of Wrestling Action ends with a look at more of the villains of the day. Ernie Ladd gets a two-page spread featuring some great color photos and a vow to finish off Dusty Rhodes, or "The Pillsbury Dough Boy" at he calls him, once and for all. The evil members of the stable of "Hollywood Fashion Plate" Fred Blassie are also shown, including Maivia, Victor Rivera, and Spiros Arion. We finish with a brief look at "Brower Power," the return of classic brawler Dick "The Bulldog" Brower.

You could argue that this issue was the showcase of the heels. Bob Backlund saw his least coverage yet in the Wrestling Action run. Instead the focus was on many of his challengers and their devious plans to wrest the WWWF Championship away from "The All-American Boy." In the fifth and final issue we will see wrestling history right on the cover in several different instances. While Wrestling Action does not escape the 1970's, the issue is going to be all about looking forward to the 1980's. We end the five-part Wrestling Action series next week here on the blog. Don't miss it.

Farewell To Fanfest Part I--"Soul"

 Ten years is a long time for any venture to last.  Greg Price's Fanfest has done just that.  What is it that kept twelve shows alive in the span of a decade?  The talent.  The promoters.  The fans.  All are suitable answers.  Jim Cornette has often been quoted as saying that the Mid-Atlantic territory was the greatest wrestling territory of all-time.  He cites the amazing array of talent and a rabid fanbase as to what made it great.  Those same fans, and many of us who wish that we could have been part of it, kept the spirit of the promotion alive and transferred that love into what made Fanfest equally great.  But Fanfest had something that other similar events didn't.  That one ingredient?  Soul.

This past weekend, hundreds of fans enjoyed what was said to be the final Fanfest.  It delivered what Fanfest has become famous for being: a wrestling fan's dream weekend.  It never mattered whether you were a fan of the Mid-Atlantic territory or not.  Any wrestling devotee could enjoy what was brought to the table over the several day extravaganza.  Legends, current stars, and up-and-comers in the wrestling business all came together to deliver something that, despite their best efforts, WWE will never be able to recreate, nor would they probably care to.

Walking down a hall at the Charlotte University Place Hilton last weekend would have displayed any and all of these scenarios: wrestlers reuniting with wrestlers, fans catching up with other fans, fans rushing off to catch that next photo op or autograph session.  Off to the side of one hallway, the often-misunderstood Ole Anderson sits in a wheelchair, obviously enjoying signing autographs and posing for pictures for fans.  In fact, he would rather tell the fans stories than pause for lunch.  Sounds a bit different than what you have read elsewhere on the Internet, doesn't it?  Just a few feet away in a large ballroom, Jimmy Valiant is catching up with Exotic Adrian Street and Miss Linda.  On the other side of the ballroom, Matt Hardy and Reby Sky are meeting fans of all ages.

While men like Dusty Rhodes, Arn Anderson, and Ricky Steamboat were "main event" level attractions, every legend appearing at Fanfest is treated as a superstar by both the fans and other wrestlers.  Egos and grudges are pushed aside to give the fan an untarnished experience.  In this day and age, fans know that it was the undercard wrestlers who had quite an instrumental hand in making the big names as memorable as they are today.  Occasionally, such as in the case of The Mulkey Brothers, those journeymen stars are equally as ingrained in fans memories.

As I rubbed elbows with so many of wrestling's greats last weekend, I thought back to Fanfests of the past. Without this amazing event, I never would have had the opportunity to meet such greats as Jackie Fargo, Gary Hart, Ernie Ladd, and Billy Robinson.  I would not have gotten a hug from Sherri Martel or had dinner with Sir Oliver Humperdink.  I would not have seen the Four Horsemen reunite before my very eyes or the final appearance of the Fabulous Fargos.  It's things like these that other events of its kind, or WWE, will never deliver.  It just isn't in the business model anywhere else.  The "it" being, of course, soul.

In the days following Fanfest, social media became a hub of photos and memories.  It was interesting to note that cries of "This can't be the final Fanfest" came equally as often from fans and wrestlers alike.  Although there are other reunions for wrestlers themselves, many absolutely love Fanfest for its ability to combine reuniting with other wrestlers and finally getting to meet so many longtime fans.  As is often forgotten in other entertainment industries, wrestlers do not necessarily stay in touch after their time in the business is over.  Just like when a television program or movie wraps, everyone goes their separate ways.  Seeing the wrestlers relive those long days and nights on the road together is often a treasure in itself.

Next week, we'll take a closer look at the 2014 edition of Fanfest.  Memories, memorabilia, sights, and even tastes!  As for now, however, I'd like to offer my personal thanks to Mr. Greg Price.  Almost all has been said over the past few days following the great event, but it's worth repeating.  Thank you for the seven amazing Fanfests that I was able to attend.  I truly had the full experience, attending the November 2004 Tribute to Starrcade, the 2006 Capitol Legends Fanfest, the 2011 Last Battle of Atlanta, and four other Charlotte Fanfests.  Each had their own feel, flavor, and countless memories that I'll never let go of.  Most of all, despite not being born until after so much of this great wrestling that we celebrate had already taken place, I was made to feel as if I was part of it.  I was able to experience that soul.  If this is indeed the end, I'm glad that I will be able to pass that soul on and keep those grand territorial wrestling memories going as long as I can.

Join us again next week for more Mid-Atlantic Memories!

Memphis Wrestling Memorabilia Comes To A Bookshelf Near You

Let's face it, Memphis Wrestling had it all.  The stars, the action, and entertainment value that no other promotion or territory could quite match at the time.  Despite being a Yankee and born just as much of the hottest Memphis action was taking place, I've often listed the territory as my favorite of the old wrestling hotbeds.  I'll go as far as to say that if any one territory would be able to succeed in today's wrestling world, it would be Memphis.  The whole package transcends the time in which it occurred, and any wrestling promoter would kill for those insane crowds that can still be marveled at on old tapes from the Mid-South Coliseum.

Another way in which Memphis Wrestling stood out was in the early concepts of merchandising.  As I often point out here, the action figures, bedsheets, stickers, and lunchboxes that we now associate with wrestling memorabilia didn't truly take off until the "Rock n' Wrestling" era of the mid-1980s.  In Memphis and the other towns included in the territory, however, fans, wrestlers, and promoters alike knew just how much souvenirs and "gimmicks" could add to the overall product and profits of wrestling.

If you're even on this blog, I'm fairly sure that you have an interest in the memorabilia and merchandise surrounding professional wrestling.  If you've ever wanted a fully illustrated history of some of the earliest examples of these treasured collectibles, then the newest book from the legendary Jim Cornette and Memphis Wrestling historian Mark James is right up your alley.  The book is titled "Rags, Paper, & Pins--The Merchandising Of Memphis Wrestling," and was tailored made for fans/collectors like you and me.

Works from both Cornette and James have been featured here before.  Cornette's 25th Anniversary Scrapbook meticulously recalling the fantastic run of his Midnight Express tag team met glowing reviews here and just about anywhere else it has been discussed, as have Dutch Mantell's "The World According To Dutch" and George South's "Dad You Don't Work, You Wrestle."  The latter two books were co-productions with Mark James.  By mixing Cornette's direct involvement with Memphis wrestling merchandising and James' knowledge of the territory captured in his other publications and website, "Rags" promised to be a winner even before the first page was turned.

Making its public debut at Mid-Atlantic Wrestling Legends Fanfest, convention goers flocked to the Cornette's Collectibles booth where both Cornette and James were present to sell and sign the books.  Although the book was already on my own shopping list, I'm not sure how any fan could have passed it up.  The cover is plastered with original Jim Cornette photography of Jerry Lawler, Jackie Fargo, Jimmy Valiant, Lance Russell and Dave Brown, Bill Dundee, The Fabulous Ones, and even a young Hulk Hogan.

At 342 pages it is by no means a small book.  Part of that is because many of the programs, photos, and other memorabilia discussed is reproduced right in the book.  The other half is because Cornette and James follow a pattern that's near and dear to my heart: telling the history of wrestling through its memorabilia and merchandising.

It's no secret that Jim Cornette began his association with Memphis Wrestling as a young photographer.  What's less known is that so much of the Memphis merchandising sold at the "photo table" is also a direct result of Cornette's involvement.  The greatest wrestling manager of all-time?  I'd certainly be inclined to agree.  One of the fathers of wrestling merchandising and memorabilia?  Who knew?

From the '50s through the '80s, Memphis Wrestling history and merchandising is not just covered, but presented in the way that it deserves to be.  From Sputnik Monroe, Tojo Yamamoto, and The Fabulous Fargo's to Jimmy Hart, Austin Idol, and The Gibson Brothers, they're all here.  Maybe you've just always wanted to see the infamous "Mama Cornette."  Even she makes an appearance here, along with the mother of Jerry Jarrett, Christine, herself an integral part of the territory.  Speaking of one of the most influential men in wrestling history, Jerry Jarrett provides the foreword for this treasury of his territory.

Perhaps my own favorite portion of the book is a complete reprinting of the six-issue run of Championship Wrestling Magazine.  A collaboration between Cornette and Norm Kietzer's Pro Wrestling Enterprises, CWM is prized due to its short run, great Cornette photography, and complete dedication to the Memphis Wrestling product of the time.  Cover-to-cover, each issue is presented here in anthology form, complete with Cornette's behind-the-scenes stories from the magazine's birth to untimely end and even his original hand-penciled layouts.  This section is worth the price of the book alone.

I learned so much from the book that I would love to repeat here, but that's where you come in.  With my highest recommendation, if you have any appreciation for classic Memphis Wrestling or the memorabilia that is discussed every week right here, you need to pick up the book for yourself.  Information on the various ways that you can obtain a copy for yourself is at Mark James' MemphisWrestlingHistory.com website.

I couldn't put this one down, and I won't be doing so anytime soon.  I continue to comb over the hundreds of photos in the book, wondering how I'll be able to find many of the items that I don't already own.  Some pieces that I'm sure I will own are the future Cornette-James collaborations hinted at in this book.  We all miss James E. Cornette screaming at the top of his lungs on television and whacking people with his tennis racket.  That being said, if this is the kind of product that we're going to get from the "away-from-the-industry" Cornette of 2013 and beyond, I think we're in for many more grand slams from "The Louisville Slugger" himself.

The 1970's: Nixon went to China...Sammy kissed Archie...Race beat Funk...and another Funk...

All decades and eras in wrestling can be special to those who lived through them. Many fans in their twenties and thirties celebrate the "Attitude Era" now as a bygone time. As hard as it is to believe, the industry is nearly completely different now only a decade and change later.

Still, there are some who celebrate the times that came before they were even born. The allure and mystique of being able to look back at a time where black and white photos and grainy video footage are often the only looking glass.

For me, this era is the 1970's.

Did the '80s and '90s contain great stars, events, and rivalries? Absolutely. However, something about the "Me Decade" and the wrestling therein has an extraordinary appeal.

The '70s, to me, could be dubbed the last great "wild west" era of wrestling. Driving through the back roads, jumping from territory to territory, wrestling in armories, high school gyms, and barrooms. While all of these concepts survived for at least a little while longer, they all truly embody the idea of the '70s.

The NWA was still the great governing body of the sport. True, gritty, tough-as-nails names like Harley Race, Jack Brisco, and the Funks not only showed how to be a great champion, but how to be a true man. At this time in Florida, an American Dream was born.

In the Midwest, the AWA was thriving with the likes of regional favorites such as The Bruiser and The Crusher. Nick Bockwinkel was proving that a champion could be tough yet refined. Other stars here, such as the legendary Bobby Heenan, were just beginning their years of contributions to the business.

Vincent J. McMahon, independent from any other organization with his WWWF, had the man that many claim to be the greatest of all-time as the cream of his crop for much of the decade. Bruno Sammartino had the second of his championship reigns while Pedro Morales, Superstar Billy Graham, and Bob Backlund rounded out the era's title holders. The WWWF perhaps also included the most colorful cast of characters in wrestling at that point, foreshadowing what was to become of the company in the 1980's.

While promoters had yet to truly see the value in merchandising their stars, you can slowly begin to see the seeds being planted for the boom of the next decade. Photos and programs still ruled the roost, especially at shows where fans could take home a souvenir of their favorite star. Occasionally items such as the earliest t-shirts and even pennants, often locally made, will appear from the decade. Still, the early in-house publications from the wrestling companies themselves such as Mid-Atlantic Wrestling Magazine and the WWWF's Wrestling Action are the number one indicator that promoters were beginning to notice the need for merchandise.

One carryover from the 1960's was the fan club. Ranging from fly by night setups to decades-long devotion, fan clubs for individual stars were all the rage. Magazines like Wrestling Revue and Wrestling World devoted full sections to these fan clubs. For a nominal fee, fans were usually treated to newsletters, photos, and other items pertaining to their favorite star. Some of the bigger names even had multiple fan clubs. For years the late, legendary, wrestling journalist Georgiann Makropoulos ran the Bruno Sammartino fan club and in turn cultivated a decades-long friendship with the champ.

Champions who were champions. Men who were men. Midgets that were...midgets. Women wrestlers who were WRESTLERS with, just perhaps, a dash of "Diva" mixed in. Those were the days. While I may not have been around to have enjoyed it as it happened, I will certainly promote and celebrate the era and its stars as long as possible.

For a gallery of wrestling merchandise from the 1970's, please visit and join our Facebook Fanpage.

WWWF Wrestling Action Magazine

Most wrestling collectors would agree that it is very hard to even make a shortlist of favorite collectibles. With the incredible array of items both current and vintage, it would be hard to even try and find a starting point. The five magazine issues that you are about to see and learn about will always, as a whole, make my personal top five.

Wrestling magazines are a unique breed of collectible. One can collect all issues of a certain title, focus on a particular star, or even a specific era. While the magazines have been produced en masse since around the time pro wrestling hit television and continue to fly off shelves today, the '70s through the '90s probably saw the widest variety of titles for the genre.

While the Stanley Weston (The Wrestler, Pro Wrestling Illustrated, etc.) and Norm Kietzer (Wrestling Revue, The Wrestling News) magazines were the first publications to rule the roost, the '80s and '90s saw in-house publications from the WWF, NWA, WCW, and even ECW.

There is one oft-forgotten in-house publication that was actually the first of its kind for the WWWF. While it's been claimed in the current incarnation of the WWE Magazine that the WWF's Victory Magazine was the first in-house WWWF/WWF published periodical, this simply isn't so.

The very first was the Wrestling Action magazine...


Published between 1977 and 1979, the magazine ended up only having a five issue run. While celebrated wrestling photographer George Napolitano provided much of the visual action, it was actually wrestling renaissance man Les Thatcher who held the title of editor.

Already holding the titles of wrestler, announcer, and trainer, Thatcher had been publishing the Mid-Atlantic and NWA wrestling magazines when Napolitano and Vince McMahon Jr. saw his work.

Similar to the aforementioned Mid-Atlantic and NWA titles, Thatcher brought incredibly designed covers to the WWWF publication as well. These covers, done by art director Cal Byers, visually set these magazines in a class by themselves. Billy Graham, Bruno Sammartino, and Bob Backlund are showcased on the first three covers while collages of stars are featured on the last two. Often you can even see the photos which inspired the cover art within the pages of the magazine itself.

Each issue contains two features that were not prominent in other wrestling magazines of the time, those being all "slick" pages and a good bit of color photos and graphics.

Packed with features on the stars both in and out of the ring, many articles were highlighted with special graphics and production techniques. Also impressive were the centerfolds in each issue, always featuring a top star or stars of the WWWF.

Reading these magazines, you can truly feel the excitement that legendary WWWF fans such as Mrs. Krieger or Georgiann Makropoulos (a wrestling publishing legend in her own right) probably felt while reading these back in the '70s. While wrestlers seldom need any help appearing larger than life, these issues certainly reinforced that to the WWWF loyal.

With the magazines produced over a period of two years, it is obvious that there was a great length of time between the release of each issue. A disclaimer even appears in later issues that apologizes to subscribers for the magazines not being published monthly.

Due to the fact that publication was stretched out for so long, the last issue gives us an automatic look at wrestling history. While the first four issues feature "World Wide Wrestling Federation" in the upper left corner of the cover, the fifth and final simply reads "World Wrestling Federation." Interestingly, that final issue is titled "Stars of the '80s" and among the cover collage is the man who would end up defining the WWF in the '80s--Hulk Hogan.

Sadly, Vince Jr. decided to pull the plug after that issue. With such a finely crafted magazine, it would be interesting to see how the beautiful covers and great content would've translated to the national expansion and even "Rock 'n Wrestling."

It's unknown how many copies of each issue were produced. All have become highly coveted by collectors, with the first issue usually gaining the most attention. When properly identified in an online auction setting, the inaugural issue has fetched as much as one-hundred dollars.

How about the original artwork from those fantastic covers? They are said to reside in the collection of photographer George Napolitano. He, and many of the wrestlers featured in the magazine, show great fondness for the issues when presented to them by fans. Graham, Lou Albano, Tony Atlas, and Ivan Putski are just a few who have enjoyed seeing the copies in my collection over the years.

I'd like to thank Mr. Les Thatcher for providing so much of the information about these classic collectibles. I recently had several opportunities to discuss Wrestling Action with the legend himself. When I began this blog nearly two years ago, this was one of my first ideas for a feature. I am extremely grateful to Mr. Thatcher for making it more informative than I ever could have on my own.

It's The Most Wonderful Time Of The Year...

Peter Pan had the right idea. He never grew up. Growing up, most folks can't wait to be older and subsequently try to act more mature. When they do get older, they realize that a lot of things that were magical to them as children are gone for good. Sometimes the particular idea is still there, such as Christmas morning, but that feeling of wonder simply fails to return. Thanks to an annual event every August, the children of classic wrestling worldwide can once again experience the magic and wonder that they grew up with.

This coming August 5th through 8th in Charlotte, North Carolina, promoter Greg Price brings his ninth Fanfest to life. Fanfest is an event to not only get autographs and pictures with your wrestling favorites, but to actually meet and mingle with them as well. Since the entire event is centrally located in the Charlotte University Place Hilton, it's not uncommon to be seeing stars the minute you enter the building.

Like most wrestling fanfests or conventions, the stars themselves are divided into two groups: featured stars and vendor guests. The featured stars are there to be part of the VIP admission package which entitles each guest to autographs from the legends at designated times, while vendor guests are stars that are, in a sense, sponsored to come to the event by independent dealers. These vendors charge a fee for photos and autographs with this group of stars.

Nearly one-hundred stars will be on hand throughout the 2010 Fanfest weekend. Among this years featured legends are Harley Race, Terry Funk, Dory Funk Jr., "Million Dollar Man" Ted DiBiase, Kamala, Greg Valentine, Danny Hodge, Tony Atlas, Mr. Wrestling II, Jerry Brisco, Tully Blanchard, and Jim Ross among many others. Sting, Mae Young, Sid Vicious, Bobby "The Brain" Heenan, Sunny, and modern stars such as Mickie James and Shelton Benjamin highlight the vendor guests.

Labeling Fanfest as a simple autograph convention would be a gross misrepresentation. It's a legitimate dream-come-true weekend for classic wrestling fans. The weekend will be kicked off on the night of Thursday the 5th with a lakeside barbecue at the hotel featuring Jim Ross' famous sauce and an appearance by Good Ol' JR himself. Also that night are Fanfest's famous question and answer sessions. This year's sessions will feature a roundtable discussion with mystery guests followed by the always entertaining Jim Cornette who has become a symbol of Fanfest.

While autographs and photos fill the days and Q&As kick-off the weekend evening activities, the Friday and Saturday evening events are immense enough to be their own separate draws. Friday night is the annual Hall of Heroes banquet also hosted by Mr. Cornette.

The Hall of Heroes is a special event honoring many of wrestling's greatest legends and is everything that the WWE Hall of Fame should be. Stars inducted in previous years such as Wahoo McDaniel, Blackjack Mulligan, The Anderson's, and The Fargo's will be joined by the 2010 Hall of Heroes class which consists of Joe Blanchard, Danny Hodge, Mr. Wrestling & Mr. Wrestling II, Reggie Parks, Billy Robinson, and Johnny and Greg Valentine. Each star is inducted by a fellow legend and each living inductee is scheduled to appear.

This year, many fans are eagerly anticipating Jim Ross' induction of his long-time friend Danny Hodge. Hodge, the first wrestler to make the cover of Sports Illustrated, is almost universally considered to be one of the greatest wrestlers who ever lived. Via his website and Twitter account, Ross has expressed what an honor it will be for him to induct Mr. Hodge and may be anticipating the event as much as the fans.

Saturday night will feature a world-class wrestling event highlighted with not just a main event, but an NWA World Heavyweight Championship defense. Current NWA World Heavyweight Champion Adam Pearce will defend the storied title against the hottest free agent in wrestling today, Bryan Danielson aka Daniel Bryan. Also on the card will be the finals of a hot tournament currently being held in the Charlotte area called the NWA Future Legends Cup. Top those off with appearances by legendary journeyman Mike Jackson and Skandor Akbar and his Devastation Inc. and you have a card that would blow most indy action out of the water.

All the descriptions in the world cannot truly convey the NWA Fanfest experience. The real magic comes from the memories made during the weekend combined with the memories from years gone by. Who would have ever thought, sitting in front of a tube television watching their favorite Saturday morning wrestling show, that they one day would be rubbing shoulders, talking, and even eating with the stars who appeared larger than life on the small screen? At Fanfest that unreal dream is accomplished in spades.

I know that I can speak for nearly every "Fanfester" when I say that within the next week, the feeling inside is like that of a child on Christmas Eve. Fanfest is an amazing event that is unlike any other. The above is not an advertisement, it is simply a personal testament that I would be remiss in not sharing. This will be the fourth Fanfest for my friends and I, so please stop and say hello if you see us. If time permits, I may even do some blog entries direct from Fanfest.

Being an eight-hour haul for us, Fanfest is our summer vacation and we wouldn't have it any other way. If you've ever been on the fence about attending, this is undoubtedly the year to start. Don't let yourself miss out on anymore of the memories.

For more information on NWA Fanfest, please visit NWALegends.com.

Just when you thought the classic era of wrestling was all but dead, Fanfest proves otherwise. Through the fans and stars who lived it, real professional wrestling is very much alive. Join us in Charlotte to find out for yourself.

Pictures (L-R From Top) Include: 2009 NWA Fanfest Programs, Ric Flair looks on while Danny Hodge and Ole Anderson reunite, Jimmy & Angel Valiant reunite with "Number One" Paul Jones.

I Love Memphis Wrestling

Of the old school wrestling territories, Memphis ranks among my top favorites. While the wrestling may not have been "scientific" enough for some fans and the characters and feuds too "goofy" for others, to me Memphis had a perfect blend of everything I look for in wrestling.

And "The King."

A package full of old Memphis wrestling items came in the mail today, and I'd be lying if I said I wasn't excited about it. This stuff is great, and I even got some things I didn't bargain for. One of which, was this...

It loses a LOT in the photo (it's a bright yellowish gold with an almost psychedelic '70s effect to it), but I've never seen one of these before. How cool is that? Some of the other items fit into categories of separate entries I've been planning on doing, but I promise a lot more of these great Memphis items will show up here. So for those of you Lawler, LeDuc, Idol, and Jimmy Hart fans out there...stay tuned!

Wayne "The Fonz" Farris, anyone? :-)